PAYSAGE DE RAVE I
🌌 Multiple Exposure Landscape
Black & White 6x9 Photograph
A quiet yet powerful image 🌙🎶 — created by superposing multiple exposures during an electronic music festival. The camera captures rhythm, vibration, and fleeting lights, weaving them into an abstract dreamscape. Each exposure is a fragment of light, time, and movement, merging into a painting-like photograph.
This is not a digital montage. It is an analog recording built from real-time gestures, guided by intuition and light, like a breath caught in silver grains.
✨ About the work
This visual collage combines distant and close landscapes, urban night scenes, and sonic textures. The contrasts are dense yet soft, the shadows textured like charcoal, the lights blurred like memory. Between photography and painting, it invites feeling rather than understanding.
🔧 Technical Details
Format: 6Ă—9 cm
Camera: Zeiss Ikonta (vintage folding camera)
Film: Fomapan 400
Developer: Tetenal Ultra Fin Plus 1+4
Technique: Multiple exposures at capture (not post-produced)
Scanning: Original negative, minimal digital editing
Process: Preserved film materiality — grain, blur, density, imperfections
📝 Author: François Hardel
© François Hardel – All rights reserved
PAYSAGE DE RAVE I
🌌 Multiple Exposure Landscape
Black & White 6x9 Photograph
A quiet yet powerful image 🌙🎶 — created by superposing multiple exposures during an electronic music festival. The camera captures rhythm, vibration, and fleeting lights, weaving them into an abstract dreamscape. Each exposure is a fragment of light, time, and movement, merging into a painting-like photograph.
This is not a digital montage. It is an analog recording built from real-time gestures, guided by intuition and light, like a breath caught in silver grains.
✨ About the work
This visual collage combines distant and close landscapes, urban night scenes, and sonic textures. The contrasts are dense yet soft, the shadows textured like charcoal, the lights blurred like memory. Between photography and painting, it invites feeling rather than understanding.
🔧 Technical Details
Format: 6Ă—9 cm
Camera: Zeiss Ikonta (vintage folding camera)
Film: Fomapan 400
Developer: Tetenal Ultra Fin Plus 1+4
Technique: Multiple exposures at capture (not post-produced)
Scanning: Original negative, minimal digital editing
Process: Preserved film materiality — grain, blur, density, imperfections
📝 Author: François Hardel
© François Hardel – All rights reserved