'40s Glamour Close-Up of Beautiful Lane Schwartz
Copyright Robert W. Dickinson. Unauthorized use of this image without my express permission is a violation of copyright law.
Model: Lane Schwartz
Hair and makeup: Dania Blanco
The incomparable Lane Schwartz at our '40s Glamour Shoot and Trash-the-Dress Shoot at our house on 7/23/16. Hair, makeup and styling from wonderfully talented Dania Blanco. Scott L Miller and Pam Olson Miller were also part of the shoot and provided pretty much all the clothes.
Main light was an Alien Bees B400 at full power, fired into a 9x36 Chimera softbox high and camera left. Fill light was an AB1600 at minimum power, fired into a 14x56 Chimera softbox with grid, camera right. Hair light was an AB1600 with a 10-degree grid high on a boom behind her. The light was set to 1/3 power. All were triggered with Pocket Wizards.
In the color version, I finished with a Topaz Classic Collection Soft Focus I layer at 40% opacity. Then I converted the picture to black-and-white using an onOne B&W Basic Fundamentals Automagic layer. Canon 6D camera and the very rare Canon EF 50-200mm f3.5-4.5L lens at 60mm setting. ISO 200, f6.3 at 1/100 second.
'40s Glamour Close-Up of Beautiful Lane Schwartz
Copyright Robert W. Dickinson. Unauthorized use of this image without my express permission is a violation of copyright law.
Model: Lane Schwartz
Hair and makeup: Dania Blanco
The incomparable Lane Schwartz at our '40s Glamour Shoot and Trash-the-Dress Shoot at our house on 7/23/16. Hair, makeup and styling from wonderfully talented Dania Blanco. Scott L Miller and Pam Olson Miller were also part of the shoot and provided pretty much all the clothes.
Main light was an Alien Bees B400 at full power, fired into a 9x36 Chimera softbox high and camera left. Fill light was an AB1600 at minimum power, fired into a 14x56 Chimera softbox with grid, camera right. Hair light was an AB1600 with a 10-degree grid high on a boom behind her. The light was set to 1/3 power. All were triggered with Pocket Wizards.
In the color version, I finished with a Topaz Classic Collection Soft Focus I layer at 40% opacity. Then I converted the picture to black-and-white using an onOne B&W Basic Fundamentals Automagic layer. Canon 6D camera and the very rare Canon EF 50-200mm f3.5-4.5L lens at 60mm setting. ISO 200, f6.3 at 1/100 second.