Florence skyline from Boboli Gardens - Palazzo di Giustizia
At Boboli Gardens for a morning look around the gardens in Florence. It was a very hot morning in Florence. A bit dehydrating!
The Boboli Gardens (Italian: Giardino di Boboli) is a park in Florence, Italy, that is home to a collection of sculptures dating from the 16th through the 18th centuries, with some Roman antiquities.
The Gardens, directly behind the Pitti Palace, the main seat of the Medici grand dukes of Tuscany at Florence, are some of the first and most familiar formal 16th-century Italian gardens. The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grottos, nympheums, garden temples and the like. The openness of the garden, with an expansive view of the city, was unconventional for its time. The gardens were very lavish, considering no access was allowed to anyone outside the immediate Medici family, and no entertainment or parties ever took place in the gardens.
The Boboli Gardens were laid out for Eleonora di Toledo, the wife of Cosimo I de' Medici. The name is a curruption of "Bogoli", a family from whom land had been bought to construct the garden. The first stage was scarcely begun by Niccolò Tribolo before he died in 1550, then was continued by Bartolomeo Ammanati, with contributions in planning from Giorgio Vasari, who laid out the grottos, and in sculpture by Bernardo Buontalenti. The elaborate architecture of the grotto in the courtyard that separates the palace from its garden is by Buontalenti.
The garden lacks a natural water source. To water the plants in the garden, a conduit was built from the nearby Arno River to feed water into an elaborate irrigation system.
The primary axis, centered on the rear façade of the palace, rises on Boboli Hill from a deep amphitheater that is reminiscent in its shape of one half of a classical hippodrome or racecourse. At the center of the amphitheater and rather dwarfed by its position is the Ancient Egyptian Boboli obelisk brought from the Villa Medici at Rome. This primary axis terminates in a fountain of Neptune (known to the irreverent Florentines as the "Fountain of the Fork" for Neptune's trident), with the sculpture of Neptune by Stoldo Lorenzi visible against the skyline as a visitor climbs the slope.
Giulio Parigi laid out the long secondary axis, the Viottolone or Cyprus Road at a right angle to the primary axis. This road led up through a series of terraces and water features, the main one being the Isolotto complex, with the bosquets on either side, and then allowed for exit from the gardens almost at Porta Romana, which was one of the main gates of the walled city. In 1617, Parigi constructed the Grotto of Vulcan (Grotticina di Vulcano) along this axis.
The gardens have passed through several stages of enlargement and restructuring work. They were enlarged in the 17th century to their present extent of 45,000 meters² (111 acres). The Boboli Gardens have come to form an outdoor museum of garden sculpture that includes Roman antiquities as well as 16th and 17th century works.
In the first phase of building, the amphitheatre was excavated in the hillside behind the palace. Initially formed by clipped edges and greens, it was later formalized by rebuilding in stone decorated with statues based on Roman myths such as the Fountain of the Ocean sculpted by Giambologna, then transferred to another location within the same garden. The small Grotto of Madama, and the Large Grotto, were begun by Vasari and completed by Ammannati and Buontalenti between 1583 and 1593.
Even while undergoing restoration work in 2015, the Large Grotto's statues are still on display and represent defining examples of Mannerist sculpture and architecture. Decorated internally and externally with stalactites and originally equipped with waterworks and luxuriant vegetation, the fountain is divided into three main sections. The first one was frescoed to create the illusion of a natural grotto, that is a natural refuge to allow shepherds to protect themselves from wild animals; it originally housed The Prisoners of Michelangelo (now replaced by copies), statues that were first intended for the tomb of the Pope Julius II. Other rooms in the Grotto contain Giambologna's famous Bathing Venus and an 18th-century group of Paris and Helen by Vincenzo de' Rossi.
I was more interested in the skyline from Boboli Gardens than the actual gardens! It was so amazing to look at! This was our last morning in Florence, for in the afternoon we would get our coach to Volterra (including a stop off at a winery).
The Palace of Justice or Palagiustizia of Florence , is located in Viale Guidoni , in the district of Novoli (west part of the city).
The building, designed in the seventies of the twentieth century , in line with the architecture of the period, and started to build in 2000 , in the original projects should have been fully operational in the spring of 2006 , but the construction has continued, not due the problems caused by the inadequate construction techniques employed or by the obsolescence of the project itself, but only due to lack of funding by the Ministry of Infrastructures [ without source ] , which forced initially to contract only the first part of the work and proceed to a second call for tenders once the necessary funds have been found. In the fall of 2008 , even though most of the facilities had been completed, the construction site was still open and the transfer of the offices was being planned.
With the beginning of January 2012 the new Palagiustizia became operational with the definitive transfer of the Justice of Peace, which was followed by the Public Prosecutor's Office and the office of the GIP (Judge of Preliminary Investigations). On January 23, 2012 the structure was inaugurated by the Minister of Justice Paola Severino and the Mayor of Florence Matteo Renzi : the main local authorities were present. By July 2012 the transfer of all the Florentine judicial offices (Court, Court of Appeal, Public Prosecutor's Office) was completed, with the exception of the Juvenile Court, which by law must have a separate seat from that of the ordinary court.
During a public ceremony, held on June 12, 2015, the Palace of Justice in Florence was named after the Florentine jurist and politician Piero Calamandrei , one of the Constituent Fathers of the Italian Republic.
It is a colossal complex built in the ex-Fiat area , intended to bring together all the judicial offices scattered throughout the city, freeing many buildings in the historic center (nine locations) that may have other destinations.
Designed by the architect Leonardo Ricci (who has since disappeared), it is 240 meters long and 146 meters wide, with a 72-meter tower, one of the highest in the city. The building area occupied is about 800,000 square meters. This is the second largest Italian court of justice after the one in Turin .
In this new judicial citadel will be allocated the archived plans, over which you will find the classrooms for discussion, which will be joined by two classrooms and the maxi-classroom placed on the mezzanine floor. The last floors are for the offices of magistrates and prosecutors . Several thousand people work there among judges , lawyers , clerks and clerks .
The VirtualTourist travel site in 2011 put it in fifth place among the ten worst buildings in the world. In 2016 the art critic Vittorio Sgarbi called it "a place of sordid ugliness".
Florence skyline from Boboli Gardens - Palazzo di Giustizia
At Boboli Gardens for a morning look around the gardens in Florence. It was a very hot morning in Florence. A bit dehydrating!
The Boboli Gardens (Italian: Giardino di Boboli) is a park in Florence, Italy, that is home to a collection of sculptures dating from the 16th through the 18th centuries, with some Roman antiquities.
The Gardens, directly behind the Pitti Palace, the main seat of the Medici grand dukes of Tuscany at Florence, are some of the first and most familiar formal 16th-century Italian gardens. The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grottos, nympheums, garden temples and the like. The openness of the garden, with an expansive view of the city, was unconventional for its time. The gardens were very lavish, considering no access was allowed to anyone outside the immediate Medici family, and no entertainment or parties ever took place in the gardens.
The Boboli Gardens were laid out for Eleonora di Toledo, the wife of Cosimo I de' Medici. The name is a curruption of "Bogoli", a family from whom land had been bought to construct the garden. The first stage was scarcely begun by Niccolò Tribolo before he died in 1550, then was continued by Bartolomeo Ammanati, with contributions in planning from Giorgio Vasari, who laid out the grottos, and in sculpture by Bernardo Buontalenti. The elaborate architecture of the grotto in the courtyard that separates the palace from its garden is by Buontalenti.
The garden lacks a natural water source. To water the plants in the garden, a conduit was built from the nearby Arno River to feed water into an elaborate irrigation system.
The primary axis, centered on the rear façade of the palace, rises on Boboli Hill from a deep amphitheater that is reminiscent in its shape of one half of a classical hippodrome or racecourse. At the center of the amphitheater and rather dwarfed by its position is the Ancient Egyptian Boboli obelisk brought from the Villa Medici at Rome. This primary axis terminates in a fountain of Neptune (known to the irreverent Florentines as the "Fountain of the Fork" for Neptune's trident), with the sculpture of Neptune by Stoldo Lorenzi visible against the skyline as a visitor climbs the slope.
Giulio Parigi laid out the long secondary axis, the Viottolone or Cyprus Road at a right angle to the primary axis. This road led up through a series of terraces and water features, the main one being the Isolotto complex, with the bosquets on either side, and then allowed for exit from the gardens almost at Porta Romana, which was one of the main gates of the walled city. In 1617, Parigi constructed the Grotto of Vulcan (Grotticina di Vulcano) along this axis.
The gardens have passed through several stages of enlargement and restructuring work. They were enlarged in the 17th century to their present extent of 45,000 meters² (111 acres). The Boboli Gardens have come to form an outdoor museum of garden sculpture that includes Roman antiquities as well as 16th and 17th century works.
In the first phase of building, the amphitheatre was excavated in the hillside behind the palace. Initially formed by clipped edges and greens, it was later formalized by rebuilding in stone decorated with statues based on Roman myths such as the Fountain of the Ocean sculpted by Giambologna, then transferred to another location within the same garden. The small Grotto of Madama, and the Large Grotto, were begun by Vasari and completed by Ammannati and Buontalenti between 1583 and 1593.
Even while undergoing restoration work in 2015, the Large Grotto's statues are still on display and represent defining examples of Mannerist sculpture and architecture. Decorated internally and externally with stalactites and originally equipped with waterworks and luxuriant vegetation, the fountain is divided into three main sections. The first one was frescoed to create the illusion of a natural grotto, that is a natural refuge to allow shepherds to protect themselves from wild animals; it originally housed The Prisoners of Michelangelo (now replaced by copies), statues that were first intended for the tomb of the Pope Julius II. Other rooms in the Grotto contain Giambologna's famous Bathing Venus and an 18th-century group of Paris and Helen by Vincenzo de' Rossi.
I was more interested in the skyline from Boboli Gardens than the actual gardens! It was so amazing to look at! This was our last morning in Florence, for in the afternoon we would get our coach to Volterra (including a stop off at a winery).
The Palace of Justice or Palagiustizia of Florence , is located in Viale Guidoni , in the district of Novoli (west part of the city).
The building, designed in the seventies of the twentieth century , in line with the architecture of the period, and started to build in 2000 , in the original projects should have been fully operational in the spring of 2006 , but the construction has continued, not due the problems caused by the inadequate construction techniques employed or by the obsolescence of the project itself, but only due to lack of funding by the Ministry of Infrastructures [ without source ] , which forced initially to contract only the first part of the work and proceed to a second call for tenders once the necessary funds have been found. In the fall of 2008 , even though most of the facilities had been completed, the construction site was still open and the transfer of the offices was being planned.
With the beginning of January 2012 the new Palagiustizia became operational with the definitive transfer of the Justice of Peace, which was followed by the Public Prosecutor's Office and the office of the GIP (Judge of Preliminary Investigations). On January 23, 2012 the structure was inaugurated by the Minister of Justice Paola Severino and the Mayor of Florence Matteo Renzi : the main local authorities were present. By July 2012 the transfer of all the Florentine judicial offices (Court, Court of Appeal, Public Prosecutor's Office) was completed, with the exception of the Juvenile Court, which by law must have a separate seat from that of the ordinary court.
During a public ceremony, held on June 12, 2015, the Palace of Justice in Florence was named after the Florentine jurist and politician Piero Calamandrei , one of the Constituent Fathers of the Italian Republic.
It is a colossal complex built in the ex-Fiat area , intended to bring together all the judicial offices scattered throughout the city, freeing many buildings in the historic center (nine locations) that may have other destinations.
Designed by the architect Leonardo Ricci (who has since disappeared), it is 240 meters long and 146 meters wide, with a 72-meter tower, one of the highest in the city. The building area occupied is about 800,000 square meters. This is the second largest Italian court of justice after the one in Turin .
In this new judicial citadel will be allocated the archived plans, over which you will find the classrooms for discussion, which will be joined by two classrooms and the maxi-classroom placed on the mezzanine floor. The last floors are for the offices of magistrates and prosecutors . Several thousand people work there among judges , lawyers , clerks and clerks .
The VirtualTourist travel site in 2011 put it in fifth place among the ten worst buildings in the world. In 2016 the art critic Vittorio Sgarbi called it "a place of sordid ugliness".