Hommage to Don McCullin

I realized I needed to work harder on my darkroom skills, if I want to get just a little bit close to the epic landscapes of Don McCullin.

 

So over the last couple of weeks, I've been teaching myself dodging and burning techniques and more elaborate use of filters for contrast control in the darkroom.

 

Bottom half is printed grade hard (magenta), sky is burned grade soft (yellow). Toned in selenium 1:19, 3:00 minutes.

Done