Bay Village (in the style of Wes Anderson's "Asteroid City")
The lovely Art Deco Columbia building in Bay Village (former film distribution facility (which kinda ties in, thematically, here) for Boston's nearby Theater District). . . . In the style of Wes Anderson's "Asteroid City."
Processed to get this effect for sure. But this came out of the camera not too far off from this and sparked the idea for going all "Asteroid City" when processing. Director of Photography Robert Yeoman shot Wes Anderson's Asteroid City on KODAK 35mm film using natural light (Yeoman has served as Cinematographer for ten other Wes Anderson films, all shot on analog film). “It was kind of going back to what the early pioneers of film did,” Yeoman said. “They built sets [out in the sunlight] and just put diffusion cloth on top.” Indoor scenes were shot with natural light by use of skylights. Oh, and do see "Asteroid City." ("You took a picture of me." "Uh huh." "Why?" "I'm a photographer.").
Bay Village (in the style of Wes Anderson's "Asteroid City")
The lovely Art Deco Columbia building in Bay Village (former film distribution facility (which kinda ties in, thematically, here) for Boston's nearby Theater District). . . . In the style of Wes Anderson's "Asteroid City."
Processed to get this effect for sure. But this came out of the camera not too far off from this and sparked the idea for going all "Asteroid City" when processing. Director of Photography Robert Yeoman shot Wes Anderson's Asteroid City on KODAK 35mm film using natural light (Yeoman has served as Cinematographer for ten other Wes Anderson films, all shot on analog film). “It was kind of going back to what the early pioneers of film did,” Yeoman said. “They built sets [out in the sunlight] and just put diffusion cloth on top.” Indoor scenes were shot with natural light by use of skylights. Oh, and do see "Asteroid City." ("You took a picture of me." "Uh huh." "Why?" "I'm a photographer.").