ACCIDENTS IN THE PERCEPTION OF TIME
"Modes of perception: between channels:
Wordless days, years, periods.
Centuries of drawing with black lead, or burnt sienna on the rock.
Restless scratches. Silhouettes of clumsy figures.
A tangle of lines (animals in motion).
Millennia of the word: winding of words around the body, lashing,
silhouettes of clumsy sentences. Space behind them.
Muting: and a surge of noisy images. Unravel. Span.
Look like you understand.
A hand for joy: draw.
A hand.
A hand: survive, kill.
A mouth for the voice (play, cheat). Open. For someone else.
Like with like (Picasso in the cave). And bridges!
For yourself. For someone else."
--by Mária Ferenčuhová
ACCIDENTS IN THE PERCEPTION OF TIME
"Modes of perception: between channels:
Wordless days, years, periods.
Centuries of drawing with black lead, or burnt sienna on the rock.
Restless scratches. Silhouettes of clumsy figures.
A tangle of lines (animals in motion).
Millennia of the word: winding of words around the body, lashing,
silhouettes of clumsy sentences. Space behind them.
Muting: and a surge of noisy images. Unravel. Span.
Look like you understand.
A hand for joy: draw.
A hand.
A hand: survive, kill.
A mouth for the voice (play, cheat). Open. For someone else.
Like with like (Picasso in the cave). And bridges!
For yourself. For someone else."
--by Mária Ferenčuhová