Mursi mother with ornamental clay lip-plate sq
© All rights to these photos and descriptions are reserved and protected by international copyright laws. Any use of this work requires my prior written permission.
Adorned with a wild boar's tusk, facial chalk markings, decorated goat-skin clothing and an ornamental clay lip-plate - Mursi semi-nomadic pastoral settlement situated near the banks of the Mago River, a tributary that joins the essential Omo River in a remote corner of southwestern Ethiopia.
On the meaning of lip-plates
The Mursi are one of the last groups in Africa where women still wear large wooden or clay plates in their lower lips. Most Mursi women wear lip-plates as an aesthetic symbol of cultural pride and identity, signifying passage to womanhood/adulthood. The labrets are more frequently worn by unmarried or newly wed women and are generally worn when serving men food or during important ritual events (weddings, men's duelling competitions, communal dances, safari photo-ops).
Debunking popular myths
Contrary to popular opinion among travellers and other passing strangers, ethnographers found little or no connection between the size of a woman’s lip-plate and the size of her bridewealth (cattle, guns).
Anthropologists have debunked another popular myth surrounding the lip-plate in this region. They found no evidence that the labret originated as a deliberate attempt to disfigure and make women less attractive to slave traders, yet this myth seems to surface regularly in accounts by professional and amateur photographers, tourists, and bloggers alike.
The Mursi and Mursiland
The Mursi are semi-nomadic farmers and herders who depend on shifting hoe-cultivation (mostly drought-resistant varieties of sorghum) and cattle herding for their livelihood. They number less than ten thousand today.
Most Mursi live in small settlements dispersed across Mursiland, a remote territory of about thirty by eighty kilometres between the Omo and Mago Rivers in southwestern Ethiopia, near the border with South Sudan and northern Kenya. The terrain varies from a volcanic plain dominated by a range of hills and a major watershed to a riverine forest, wooded grasslands and thorny bushland thickets.
Cogent ethnographic accounts on the meaning of lip-plates in Mursi culture and society include:
• David Turton, "Lip plates and the people who take photographs: uneasy encounters between Mursi and tourists in southern Ethiopia", Anthropology Today, 20:3, 3-8, 2004,.
• Shauna Latosky, "Reflections on the lip-plates of Mursi women as a source of stigma and self-esteem", in Ivo Strecker and Jean Lydall (eds.) The perils of face: Essays on cultural contact, respect and self-esteem in southern Ethiopia, Mainzer Beiträge zur Afrika-Forschung, Lit Verlag, Berlin, 2006, pp. 371-386.
Documentary Portraiture | National Geographic | BodyArt
Mursi mother with ornamental clay lip-plate sq
© All rights to these photos and descriptions are reserved and protected by international copyright laws. Any use of this work requires my prior written permission.
Adorned with a wild boar's tusk, facial chalk markings, decorated goat-skin clothing and an ornamental clay lip-plate - Mursi semi-nomadic pastoral settlement situated near the banks of the Mago River, a tributary that joins the essential Omo River in a remote corner of southwestern Ethiopia.
On the meaning of lip-plates
The Mursi are one of the last groups in Africa where women still wear large wooden or clay plates in their lower lips. Most Mursi women wear lip-plates as an aesthetic symbol of cultural pride and identity, signifying passage to womanhood/adulthood. The labrets are more frequently worn by unmarried or newly wed women and are generally worn when serving men food or during important ritual events (weddings, men's duelling competitions, communal dances, safari photo-ops).
Debunking popular myths
Contrary to popular opinion among travellers and other passing strangers, ethnographers found little or no connection between the size of a woman’s lip-plate and the size of her bridewealth (cattle, guns).
Anthropologists have debunked another popular myth surrounding the lip-plate in this region. They found no evidence that the labret originated as a deliberate attempt to disfigure and make women less attractive to slave traders, yet this myth seems to surface regularly in accounts by professional and amateur photographers, tourists, and bloggers alike.
The Mursi and Mursiland
The Mursi are semi-nomadic farmers and herders who depend on shifting hoe-cultivation (mostly drought-resistant varieties of sorghum) and cattle herding for their livelihood. They number less than ten thousand today.
Most Mursi live in small settlements dispersed across Mursiland, a remote territory of about thirty by eighty kilometres between the Omo and Mago Rivers in southwestern Ethiopia, near the border with South Sudan and northern Kenya. The terrain varies from a volcanic plain dominated by a range of hills and a major watershed to a riverine forest, wooded grasslands and thorny bushland thickets.
Cogent ethnographic accounts on the meaning of lip-plates in Mursi culture and society include:
• David Turton, "Lip plates and the people who take photographs: uneasy encounters between Mursi and tourists in southern Ethiopia", Anthropology Today, 20:3, 3-8, 2004,.
• Shauna Latosky, "Reflections on the lip-plates of Mursi women as a source of stigma and self-esteem", in Ivo Strecker and Jean Lydall (eds.) The perils of face: Essays on cultural contact, respect and self-esteem in southern Ethiopia, Mainzer Beiträge zur Afrika-Forschung, Lit Verlag, Berlin, 2006, pp. 371-386.
Documentary Portraiture | National Geographic | BodyArt