Rishton UZ - Ceramics from Rishton 03
Rishton is one of the most famous and oldest centers of ceramics in Uzbekistan. Legend claims that the art is over 800 years old, passed down from generation to generation.
A fine quality reddish-yellow clay deposit 1-1.5 meters deep and 0.5-1.5 meters thick underlies almost the whole Rishton area. The clay can be used without refinement or addition of other types of clay from other regions. Besides clay, the potters of Rishton extracted various dyes, quartz sand, and fire clay from the surrounding the mountains.
The history of producing ceramics here goes back to the seventh century. In the late 19th – early 20th centuries, almost all the population of Rishton were potters. Its clay is suitable for making the whole variety of ceramic goods and the repertoire of ornamental patterns in the Rishton ceramics is one of the richest. Today, over 2000 craftsmen use both traditional techniques and modern machinery to produce over 5 million items per year. The traditional design has a blue-green glaze, called “iskor”. In the 1960s, this technique had almost died out, but has now recovered, thanks to the efforts of the artisans themselves.
Main languages spoken in this area are Tajik and Uzbek.
Rishton UZ - Ceramics from Rishton 03
Rishton is one of the most famous and oldest centers of ceramics in Uzbekistan. Legend claims that the art is over 800 years old, passed down from generation to generation.
A fine quality reddish-yellow clay deposit 1-1.5 meters deep and 0.5-1.5 meters thick underlies almost the whole Rishton area. The clay can be used without refinement or addition of other types of clay from other regions. Besides clay, the potters of Rishton extracted various dyes, quartz sand, and fire clay from the surrounding the mountains.
The history of producing ceramics here goes back to the seventh century. In the late 19th – early 20th centuries, almost all the population of Rishton were potters. Its clay is suitable for making the whole variety of ceramic goods and the repertoire of ornamental patterns in the Rishton ceramics is one of the richest. Today, over 2000 craftsmen use both traditional techniques and modern machinery to produce over 5 million items per year. The traditional design has a blue-green glaze, called “iskor”. In the 1960s, this technique had almost died out, but has now recovered, thanks to the efforts of the artisans themselves.
Main languages spoken in this area are Tajik and Uzbek.