Bridge Suspension
I like 135mm very much. It is usually very sharp and gets you close enough. It allows you to isolate a detail, but it will not remove it from its context. And every vintage lens maker I used had one that is good.
This image is slid to extreme for Sliders Sunday, so lot of that sharpness and micro contrast RE Auto-Topcor 135mm produce is lost on this image.
So, for SS, extreme cold white balance (English corrector suggest me freezing) in synch with freezing weather, just enough contrast so dark sky goes down as I wish. Grain appears on its own as an artifact of "freezing" white balance.
Bridge Suspension
I like 135mm very much. It is usually very sharp and gets you close enough. It allows you to isolate a detail, but it will not remove it from its context. And every vintage lens maker I used had one that is good.
This image is slid to extreme for Sliders Sunday, so lot of that sharpness and micro contrast RE Auto-Topcor 135mm produce is lost on this image.
So, for SS, extreme cold white balance (English corrector suggest me freezing) in synch with freezing weather, just enough contrast so dark sky goes down as I wish. Grain appears on its own as an artifact of "freezing" white balance.