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As soon as we reached the big slope above the village, where we stopped to enjoy the view, Ema dashed off, rolling down the slope, and started picking daisies - carefully choosing only the most beautiful ones, the fresh, unharmed ones. Julian was off with a big leap, too, crouching somewhere else on the wide slope… Above us, dark clouds were gathering.
"These are for you, I have picked you some daisies - the best ones!" said Ema when she came back. And Julian standing behind her: "I have some flowers for you, too!". It had been a long time since somebody picked flowers - for me. It melted my heart.
At home we placed them in a glass of water, and the next morning, while it was pouring rain outside, we took some time to photograph them. On the window sill.
View large.
Deardorff 8x10, Wollensak Verito, Fomapan 100. Tanol 1+1+100, 16 min @ 20°C. Gum bichromate, four layers from one negative:
cobalt blue deep, rose madder genuine, lemon yellow deep, ivory black.
As soon as we reached the big slope above the village, where we stopped to enjoy the view, Ema dashed off, rolling down the slope, and started picking daisies - carefully choosing only the most beautiful ones, the fresh, unharmed ones. Julian was off with a big leap, too, crouching somewhere else on the wide slope… Above us, dark clouds were gathering.
"These are for you, I have picked you some daisies - the best ones!" said Ema when she came back. And Julian standing behind her: "I have some flowers for you, too!". It had been a long time since somebody picked flowers - for me. It melted my heart.
At home we placed them in a glass of water, and the next morning, while it was pouring rain outside, we took some time to photograph them. On the window sill.
View large.
Deardorff 8x10, Wollensak Verito, Fomapan 100. Tanol 1+1+100, 16 min @ 20°C. Gum bichromate, four layers from one negative:
cobalt blue deep, rose madder genuine, lemon yellow deep, ivory black.