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Hustle

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When Emma finds out that ex-boyfriend Joe Ryan is facing eviction, the team find themselves travelling to Birmingham to take on Georgina Althorp, owner of an unscrupulous law firm. Mickey and the gang set about the ambitious task of selling Georgina a castle and a title - but will she bite? Meanwhile, it seems love is blossoming once more for Emma; are they about to lose one of the team for good?

 

Hustle is a British television drama series made by Kudos Film and Television for BBC One in the United Kingdom. Created by Tony Jordan and first broadcast in 2004, the series follows a group of con artists who specialise in "long cons" – extended deceptions which require greater commitment, but which return a higher reward than simple confidence tricks. The seventh series began on BBC1 on Friday 7 January 2011.

 

Hustle was largely born from the same production team that created and popularised the early series of Spooks, a similarly-styled drama series first broadcast in 2002. Bharat Nalluri, that series' Executive Director, first conceived the idea in early 2002 while filming for the first Spooks series was ongoing. Nalluri pitched the concept to Jane Featherstone, Managing Director of Kudos Film & Television which was the production company behind Spooks, in the back of a taxi while returning from a day's filming. Intrigued by the idea, Featherstone recruited Tony Jordan, the lead scriptwriter of the soap opera EastEnders, to develop it into a workable proposal.

 

Jordan quickly produced some initial script drafts, which Featherstone took to the BBC; Gareth Neame, Head of Drama Commissioning, rapidly approved a six-part series. Featherstone assembled a production team that had considerable overlap with the Spooks crew, including Simon Crawford Collins as producer and Matthew Graham as co-writer. In creating the first episodes, Jordan drew inspiration from the long tradition of confidence tricks and heists in Hollywood and television, including The A Team, The Sting and The Grifters. Featherstone remarked that "Ocean's Eleven was on around the time Bharat and I first spoke, and I think it helped to inspire us, but really we took our inspiration from a whole catalogue of movies and books... we wanted to make something that had the energy, verve, style and pure entertainment value of those sorts of films" At the same time, the writers attempted to draw on the success of recent blockbusters such as Ocean's Eleven and Mission: Impossible; speaking in an interview in December 2003, Crawford explained that "[such shows] worked because of the interaction within the group – the plotlines were almost irrelevant".

 

 

 

 

 

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Uploaded on March 7, 2011