DSC07583
Image location: GA-400 North at the toll booth. I'm to the left in the cruise lane...
The rig: Sony DSLR-A700 w/Sony SAL-1118 11-18mm f/4.5-5.6 DT Lens and Minolta RC-1000L remote control cord. The VG-C70AM Vertical Grip was used to provide plenty of power. Camera set to Aperture Priority mode, lens set to f/5.6, lens zoomed to approx. 15mm, manually focused to infinity and camera set to Continuous Bracketing ±2/3 EV increment/5 shots, auto white balance and ISO 1250. Due to the ever changing view and pin-point light sources involved, multi-segment metering mode was employed. Images saved as RAW. Camera attached to a Manfrotto Magic Arm attached to a Manfrotto Super Clamp attached to the passenger seat headrest bracket. The Nissan Frontier King Cab gave the extra room for the rig to be slightly behind me giving a wide view and occasionally catching myself in the shot.
Shots taken by simply pressing the remote release sitting in my lap as I drove…
Processed in Adobe Camera Raw and Nik Software’s Dfine 2.0 for further noise reduction.
DSC07583
Image location: GA-400 North at the toll booth. I'm to the left in the cruise lane...
The rig: Sony DSLR-A700 w/Sony SAL-1118 11-18mm f/4.5-5.6 DT Lens and Minolta RC-1000L remote control cord. The VG-C70AM Vertical Grip was used to provide plenty of power. Camera set to Aperture Priority mode, lens set to f/5.6, lens zoomed to approx. 15mm, manually focused to infinity and camera set to Continuous Bracketing ±2/3 EV increment/5 shots, auto white balance and ISO 1250. Due to the ever changing view and pin-point light sources involved, multi-segment metering mode was employed. Images saved as RAW. Camera attached to a Manfrotto Magic Arm attached to a Manfrotto Super Clamp attached to the passenger seat headrest bracket. The Nissan Frontier King Cab gave the extra room for the rig to be slightly behind me giving a wide view and occasionally catching myself in the shot.
Shots taken by simply pressing the remote release sitting in my lap as I drove…
Processed in Adobe Camera Raw and Nik Software’s Dfine 2.0 for further noise reduction.