budrowilson
Hope in Sevierville Setup
I wanted to use the Smoky Mountains as a backdrop for a quick portrait of Hope. Unfortunately, the tight portrait that I wanted didn't highlight them as well as I had anticipated. Fortunately, though, the setup picture I took seemed to do the trick. ;-)
strobist: 1 White Lightning x1600, camera right, diffused by a Mola Demi with stacked PAL and Opal diffusers in place. 1 White Lightning Ultrazap 1600, camera left, diffused by a Paul C Buff Medium Foldable Softbox. Monolights powered by a single Vagabond II; triggered via Cybersyncs.
I wanted to use the Smoky Mountains as a backdrop for a quick portrait of Hope. Unfortunately, the tight portrait that I wanted didn't highlight them as well as I had anticipated. Fortunately, though, the setup picture I took seemed to do the trick. ;-)
strobist: 1 White Lightning Ultrazap 1600, camera right, diffused by a Mola Demi with stacked PAL and Opal diffusers in place. 1 White Lightning x1600, camera left, diffused by a Paul C Buff Medium Foldable Softbox. Monolights powered by a single Vagabond II; triggered via Cybersyncs.
I wanted to use the Smoky Mountains as a backdrop for a quick portrait of Hope. Unfortunately, the tight portrait that I wanted didn't highlight them as well as I had anticipated. Fortunately, though, the setup picture I took seemed to do the trick. ;-)
strobist: 1 White Lightning Ultrazap 1600, camera right, diffused by a Mola Demi with stacked PAD and Opal diffusers in place. 1 White Lightning x1600, camera left, diffused by a Paul C Buff Medium Foldable Softbox. Monolights powered by a single Vagabond II; triggered via Cybersyncs.
Hope in Sevierville Setup
I wanted to use the Smoky Mountains as a backdrop for a quick portrait of Hope. Unfortunately, the tight portrait that I wanted didn't highlight them as well as I had anticipated. Fortunately, though, the setup picture I took seemed to do the trick. ;-)
strobist: 1 White Lightning x1600, camera right, diffused by a Mola Demi with stacked PAL and Opal diffusers in place. 1 White Lightning Ultrazap 1600, camera left, diffused by a Paul C Buff Medium Foldable Softbox. Monolights powered by a single Vagabond II; triggered via Cybersyncs.
I wanted to use the Smoky Mountains as a backdrop for a quick portrait of Hope. Unfortunately, the tight portrait that I wanted didn't highlight them as well as I had anticipated. Fortunately, though, the setup picture I took seemed to do the trick. ;-)
strobist: 1 White Lightning Ultrazap 1600, camera right, diffused by a Mola Demi with stacked PAL and Opal diffusers in place. 1 White Lightning x1600, camera left, diffused by a Paul C Buff Medium Foldable Softbox. Monolights powered by a single Vagabond II; triggered via Cybersyncs.
I wanted to use the Smoky Mountains as a backdrop for a quick portrait of Hope. Unfortunately, the tight portrait that I wanted didn't highlight them as well as I had anticipated. Fortunately, though, the setup picture I took seemed to do the trick. ;-)
strobist: 1 White Lightning Ultrazap 1600, camera right, diffused by a Mola Demi with stacked PAD and Opal diffusers in place. 1 White Lightning x1600, camera left, diffused by a Paul C Buff Medium Foldable Softbox. Monolights powered by a single Vagabond II; triggered via Cybersyncs.