1835 JMW Turner - Keelmen Heaving in Coals by Moonlight
Image can be bought as print, digital download, wall art, fridge magnet, coaster, mug etc at bobbex.smugmug.com/
Described as the ‘father of modern art’ by John Ruskin, Turner often shocked his contemporaries with his loose brushwork and vibrant colour palette while portraying the development of the modern world unlike any other artist at the time.
It is no wonder that Turner became the most celebrated painter in England and that over one hundred and fifty years later, we celebrate contemporary artists of the same innovating spirit through the aptly named Turner Prize.
The River Tyne winds across northeast England to the North Sea, passing through the city of Newcastle, just a few miles from the river’s mouth. The site of vast coal mines, as well as the manufacture of glass and iron, Newcastle was at the fulcrum of the Industrial Revolution by the turn of the 19th century. Pictured here is the River Tyne at Shields, a town downriver from Newcastle proper. Coal mined nearby was loaded at Shields onto small flat-bottomed vessels called keels. The keels were navigated across the shallow river and under the low Tyneside bridge, their cargo transferred onto large ocean-going ships waiting in the harbor. The most frequent destination was London, the main consumer of coal from Newcastle.
The belching smokestacks and effluents of industry transformed the marine and land vistas of England. Work, too, was transformed as laborers toiled in continuous shifts to meet the demands of a growing economy and population for fuel and other raw material. The changes wrought in English life by industrialism intrigued Turner and captured his imagination. Yet, the effects of nature equally enthralled the artist.
Keelmen Heaving in Coals by Moonlight captures and juxtaposes these two themes. The moon’s iridescent, nocturnal glow and a sense of calm pervade the painting as you imagine water slapping rhythmically against the buoys in the foreground and paddles propelling the rowboat quietly across the harbor. By contrast, teams of workers servicing the thicket of boats anchored in the harbor bustle under fiery braziers and a cloud of soot at the painting’s edges, suggesting an even more extensive landscape of industry that continues just out of view. In the far background, flaming smokestacks are visible and the pollutants they emitted may have contributed to the refracted, shimmering quality of the light in the painting. Turner mingles the imperatives of industry with the enduring and sometimes inexpressible values of nature.
1835 JMW Turner - Keelmen Heaving in Coals by Moonlight
Image can be bought as print, digital download, wall art, fridge magnet, coaster, mug etc at bobbex.smugmug.com/
Described as the ‘father of modern art’ by John Ruskin, Turner often shocked his contemporaries with his loose brushwork and vibrant colour palette while portraying the development of the modern world unlike any other artist at the time.
It is no wonder that Turner became the most celebrated painter in England and that over one hundred and fifty years later, we celebrate contemporary artists of the same innovating spirit through the aptly named Turner Prize.
The River Tyne winds across northeast England to the North Sea, passing through the city of Newcastle, just a few miles from the river’s mouth. The site of vast coal mines, as well as the manufacture of glass and iron, Newcastle was at the fulcrum of the Industrial Revolution by the turn of the 19th century. Pictured here is the River Tyne at Shields, a town downriver from Newcastle proper. Coal mined nearby was loaded at Shields onto small flat-bottomed vessels called keels. The keels were navigated across the shallow river and under the low Tyneside bridge, their cargo transferred onto large ocean-going ships waiting in the harbor. The most frequent destination was London, the main consumer of coal from Newcastle.
The belching smokestacks and effluents of industry transformed the marine and land vistas of England. Work, too, was transformed as laborers toiled in continuous shifts to meet the demands of a growing economy and population for fuel and other raw material. The changes wrought in English life by industrialism intrigued Turner and captured his imagination. Yet, the effects of nature equally enthralled the artist.
Keelmen Heaving in Coals by Moonlight captures and juxtaposes these two themes. The moon’s iridescent, nocturnal glow and a sense of calm pervade the painting as you imagine water slapping rhythmically against the buoys in the foreground and paddles propelling the rowboat quietly across the harbor. By contrast, teams of workers servicing the thicket of boats anchored in the harbor bustle under fiery braziers and a cloud of soot at the painting’s edges, suggesting an even more extensive landscape of industry that continues just out of view. In the far background, flaming smokestacks are visible and the pollutants they emitted may have contributed to the refracted, shimmering quality of the light in the painting. Turner mingles the imperatives of industry with the enduring and sometimes inexpressible values of nature.