BASHIBA Persepolis Experiments
12 November 2011
Real Time Video Scenography
Music: Persepolis, by Iannis Xenakis.
Fifty-six minutes, eight-track tape, apocalyptic-sounding work distinguished by rising waves of intensity.
In this picture: Giulia Troiano
Project: www.persepolis-project.org/
In applying mathematical and physical laws to the composition of music, Iannis Xenakis exposed the implicit connections between science and art -- rooted in theories of statistical probability, his stochastic method revolutionized not only the composition of music but also its performance, exploring the boundaries of sound and space
Konzert: Samstag, 12. November 2011
22.00 Uhr
Museum für Gestaltung, Vortragssaal
Giulia Troiano, Performer
Téo Ghil, Choreographie
Roberto Vitalini, Roberto Macchiut, Design, Real Time Videosynthesis
Fabrizio Rosso, Klangprojektion und Konzept
Iannis Xenakis
Persepolis (1971)
Fassung für Tonband, Licht, Klang und Bewegung (2009)
BASHIBA Persepolis Experiments
12 November 2011
Real Time Video Scenography
Music: Persepolis, by Iannis Xenakis.
Fifty-six minutes, eight-track tape, apocalyptic-sounding work distinguished by rising waves of intensity.
In this picture: Giulia Troiano
Project: www.persepolis-project.org/
In applying mathematical and physical laws to the composition of music, Iannis Xenakis exposed the implicit connections between science and art -- rooted in theories of statistical probability, his stochastic method revolutionized not only the composition of music but also its performance, exploring the boundaries of sound and space
Konzert: Samstag, 12. November 2011
22.00 Uhr
Museum für Gestaltung, Vortragssaal
Giulia Troiano, Performer
Téo Ghil, Choreographie
Roberto Vitalini, Roberto Macchiut, Design, Real Time Videosynthesis
Fabrizio Rosso, Klangprojektion und Konzept
Iannis Xenakis
Persepolis (1971)
Fassung für Tonband, Licht, Klang und Bewegung (2009)