The “Mahler-Unfinished” Project
Markus Poschner (DE) and the Bruckner Orchester during Mahler-Unfinished.
In cooperation with the Bruckner Orchestra Linz
Since 2003, the collaboration with the Bruckner Orchestra has been an integral and unique part of the Ars Electronica Festival. It is a collaboration that makes it possible not only to perform interesting works each year, but also to develop unique artistic projects that bring together a wide variety of orchestral music, electronic music, robots, dancers and digital images. An essential aspect of the concert nights in the Gleishalle was and is the unique space itself, with its significant acoustics and “wild” backdrop. But the large-scale projections and live visualizations have also become a special characteristic, along with the artistic staging with industrial robots and machines. This year, an AI system will also be involved for the first time.
Credit: Jürgen Grünwald
The “Mahler-Unfinished” Project
Markus Poschner (DE) and the Bruckner Orchester during Mahler-Unfinished.
In cooperation with the Bruckner Orchestra Linz
Since 2003, the collaboration with the Bruckner Orchestra has been an integral and unique part of the Ars Electronica Festival. It is a collaboration that makes it possible not only to perform interesting works each year, but also to develop unique artistic projects that bring together a wide variety of orchestral music, electronic music, robots, dancers and digital images. An essential aspect of the concert nights in the Gleishalle was and is the unique space itself, with its significant acoustics and “wild” backdrop. But the large-scale projections and live visualizations have also become a special characteristic, along with the artistic staging with industrial robots and machines. This year, an AI system will also be involved for the first time.
Credit: Jürgen Grünwald