Sleeps with the Fishes
As a Hollywood mobster might say.....Fuji Pro 400H "sleeps with the fishes".
When it comes to different films, I don't get into comparative test shots, spectral sensitivity or dye density curves......but much like Fuji Pro 160s and the original Acros, it was a film that I enjoyed putting through my Hasselblad. While Fujifilm Corp. says it's because, "it has become increasingly difficult to procure the raw materials needed". To me, it feels like another large step away from supporting film photography as a whole....and it's sad. Whether I shoot with a film stock a lot or a little, there is a feeling of loss when one goes the way of Luca Brasi.
These three fish, spouting water just above the reflecting pool at Lewis & Clark, were photographed with our dearly departed Fuji Pro 400H. Among its strengths are how it renders blues and greens; plenty of both in this scene and throughout the landscapes of the PNW.....maybe that's why I liked it.
Image with my Hasselblad 500cm
Sleeps with the Fishes
As a Hollywood mobster might say.....Fuji Pro 400H "sleeps with the fishes".
When it comes to different films, I don't get into comparative test shots, spectral sensitivity or dye density curves......but much like Fuji Pro 160s and the original Acros, it was a film that I enjoyed putting through my Hasselblad. While Fujifilm Corp. says it's because, "it has become increasingly difficult to procure the raw materials needed". To me, it feels like another large step away from supporting film photography as a whole....and it's sad. Whether I shoot with a film stock a lot or a little, there is a feeling of loss when one goes the way of Luca Brasi.
These three fish, spouting water just above the reflecting pool at Lewis & Clark, were photographed with our dearly departed Fuji Pro 400H. Among its strengths are how it renders blues and greens; plenty of both in this scene and throughout the landscapes of the PNW.....maybe that's why I liked it.
Image with my Hasselblad 500cm