Otto Berkeley
Allegro
Revisiting a vantage point which I last photographed just under two years ago, this is the popular view of St Paul's Cathedral from the southern end of the London Millennium Footbridge. The image was shot about 30 minutes before sunrise on a clear but very hazy morning, creating a soft glow along the horizon and leaving the buildings near Barbican and Moorgate only faintly visible. The view from Bankside had changed considerably since my last shoot: several cranes had sprung up north of the Thames, scaffolding had been set up along the north end of the Cathedral's dome, and graffiti had been scrawled along the glass panels of the Millennium Bridge leading to the river's walkway. It was also a pleasant surprise to find that while St Paul's Cathedral would previously have switched off all external lights at around 1am, several of its dramatic spotlights were still switched on at 4am. All of which made the project a fun challenge to return to, with the peaceful early-morning atmosphere a world away from the bustling scene an hour later when the city's morning commute would begin.
Nine bracketed exposures were captured for the final image, with luminosity masks used in Photoshop to blend the exposures and to ensure a clean finish in the shadows while controlling the highlights, particularly inside the building windows and across the sky, where it was important to me to retain the original tones and colour. I then isolated the sky using a combination of Quick Mask selection and the Pen Tool, as well as the walkway leading from the bridge to the Thames Path. This allowed me to edit the sky and the cityscape separately, and to target my brighter exposures to the walkway and the bridge's railings without affecting the rest of the image. The cranes from the skyline and the scaffolding around St Paul's were removed, but I left the graffiti in, as I felt it added to the story within the scene. After this, the image was colour-graded using a mixture of Colour Balance, Hue/Saturation and Selective Colour adjustments, toning down the yellow along the Cathedral while emphasising the pink tones in the sky and the aqua along the bridge's glass panels.
Inside Nik's Colour Efex Pro, I applied a gentle amount of Pro Contrast to the buildings to give them greater definition against the sky, as well as a very sparing amount of the Detail Extractor filter to bring out the texture inside St Paul's. I also lowered the midtone and shadow contrast along the walkway in the foreground, as a softer finish in the foreground seemed like it would help to guide viewers' eyes to the bridge and Cathedral in the distance. The final adjustments were a low-opacity Gradient Map to inject a small amount of blue into the shadows and to bring out the warmer tones in the sky, and finally, in Camera Raw, a small increase to the highlights around the Cathedral's dome to emphasise the building's lighting.
It will be interesting to see the result of the construction work near St Paul's, which will hopefully complement the skyline without obscuring the view and make the scene as much of a joy to revisit in another couple of years.
You can also connect with me on Facebook, 500px, Google+ and Instagram.
Allegro
Revisiting a vantage point which I last photographed just under two years ago, this is the popular view of St Paul's Cathedral from the southern end of the London Millennium Footbridge. The image was shot about 30 minutes before sunrise on a clear but very hazy morning, creating a soft glow along the horizon and leaving the buildings near Barbican and Moorgate only faintly visible. The view from Bankside had changed considerably since my last shoot: several cranes had sprung up north of the Thames, scaffolding had been set up along the north end of the Cathedral's dome, and graffiti had been scrawled along the glass panels of the Millennium Bridge leading to the river's walkway. It was also a pleasant surprise to find that while St Paul's Cathedral would previously have switched off all external lights at around 1am, several of its dramatic spotlights were still switched on at 4am. All of which made the project a fun challenge to return to, with the peaceful early-morning atmosphere a world away from the bustling scene an hour later when the city's morning commute would begin.
Nine bracketed exposures were captured for the final image, with luminosity masks used in Photoshop to blend the exposures and to ensure a clean finish in the shadows while controlling the highlights, particularly inside the building windows and across the sky, where it was important to me to retain the original tones and colour. I then isolated the sky using a combination of Quick Mask selection and the Pen Tool, as well as the walkway leading from the bridge to the Thames Path. This allowed me to edit the sky and the cityscape separately, and to target my brighter exposures to the walkway and the bridge's railings without affecting the rest of the image. The cranes from the skyline and the scaffolding around St Paul's were removed, but I left the graffiti in, as I felt it added to the story within the scene. After this, the image was colour-graded using a mixture of Colour Balance, Hue/Saturation and Selective Colour adjustments, toning down the yellow along the Cathedral while emphasising the pink tones in the sky and the aqua along the bridge's glass panels.
Inside Nik's Colour Efex Pro, I applied a gentle amount of Pro Contrast to the buildings to give them greater definition against the sky, as well as a very sparing amount of the Detail Extractor filter to bring out the texture inside St Paul's. I also lowered the midtone and shadow contrast along the walkway in the foreground, as a softer finish in the foreground seemed like it would help to guide viewers' eyes to the bridge and Cathedral in the distance. The final adjustments were a low-opacity Gradient Map to inject a small amount of blue into the shadows and to bring out the warmer tones in the sky, and finally, in Camera Raw, a small increase to the highlights around the Cathedral's dome to emphasise the building's lighting.
It will be interesting to see the result of the construction work near St Paul's, which will hopefully complement the skyline without obscuring the view and make the scene as much of a joy to revisit in another couple of years.
You can also connect with me on Facebook, 500px, Google+ and Instagram.