Heavy Rain, Rough Sea
#MacroMonday
#unusualpatterns
Weather forecast on a knife blade. On a Damascus steel knife blade, to be precise. Not what I initially had in mind, but that so often is the case when it's one of the "MM themes of the 1000 possibilities". Usually, for such a wide theme, I only have a few vague ideas what I could do for it, and the end result is pretty much a random surprise of what looks, firstly, most interesting through the macro lens, and, secondly, best as a photo, of course. Also, what is easy when it's not asked for - such as finding interesting patterns - becomes nearly impossible when it's required: patterns positively seemed to escape me as I went looking for them around the apartment ;-) And when I saw the knife in the kitchen (I hadn't even considered it as a possibility) I just thought "OK, that's probably very boring, but I'll give it a try." As for the "macro lens surprise", that was that not only did the banding typical for Damascus steel looked like waves (often an intended effect, but I only learned about that when I did my research on Damascus steel for the description and the tags), but those scratches from sharpening the knife that you can see in the upper part of the image also looked like heavy rain. And here it was, unfolding before my eyes: the high seas tempest.
The setup for the photo was as simple as it gets: I simply propped the knife, sharp side of the blade up, against a jar of sugar (my photo studio also doubles as breakfast and dinner table), both of it sitting on top of a heavy book to give it the same height as my camera on its small table top tripod, positioned one LED lamp (warm light) at the side of the table and grabbed my LED torch (cold light) to illuminate the blade from above (which also added the ever so slight 3D effect on the upper part of the blade), enabled the in-camera focus-stacking function, and hit the shutter button. I shot three focus stacking sequences of different parts of the knife of which this looked best.
Processing steps: The cold / warm light effect is something I get quite often when I use different light sources as above mentioned. It even works with one artificial light source (provided it gives warm light) and daylight from the window. Here I liked the split tone effect very much because I think it adds more depth to image. I wish I could have achieved the vivid colours you see here entirely by the use of light and the use of a colour filter (warm-cold or a combination of a cooling and a warming filter), but I've only recently considered to buy a few photo filters to improve my landscape photography, and since a good filter is expensive, I think I will buy one or two more versatile filters first before checking out the more exotic colour filters. So the colour enhancement here was done in Lightroom, where I tweaked the saturation and luminance of the blue, yellow and orange tones, and then in Nik's Color Efex, where, as final touch, I applied a Bi-color filter. I hope that these processing steps are deemed OK according to the new MM rules regarding the editing of an MM shot. I also did some sharpening and de-noising in Topaz Sharpen AI ("Focus" yielded the best result).
HMM, Everyone, and have a beautiful and safe week ahead!
Heavy Rain, Rough Sea
#MacroMonday
#unusualpatterns
Weather forecast on a knife blade. On a Damascus steel knife blade, to be precise. Not what I initially had in mind, but that so often is the case when it's one of the "MM themes of the 1000 possibilities". Usually, for such a wide theme, I only have a few vague ideas what I could do for it, and the end result is pretty much a random surprise of what looks, firstly, most interesting through the macro lens, and, secondly, best as a photo, of course. Also, what is easy when it's not asked for - such as finding interesting patterns - becomes nearly impossible when it's required: patterns positively seemed to escape me as I went looking for them around the apartment ;-) And when I saw the knife in the kitchen (I hadn't even considered it as a possibility) I just thought "OK, that's probably very boring, but I'll give it a try." As for the "macro lens surprise", that was that not only did the banding typical for Damascus steel looked like waves (often an intended effect, but I only learned about that when I did my research on Damascus steel for the description and the tags), but those scratches from sharpening the knife that you can see in the upper part of the image also looked like heavy rain. And here it was, unfolding before my eyes: the high seas tempest.
The setup for the photo was as simple as it gets: I simply propped the knife, sharp side of the blade up, against a jar of sugar (my photo studio also doubles as breakfast and dinner table), both of it sitting on top of a heavy book to give it the same height as my camera on its small table top tripod, positioned one LED lamp (warm light) at the side of the table and grabbed my LED torch (cold light) to illuminate the blade from above (which also added the ever so slight 3D effect on the upper part of the blade), enabled the in-camera focus-stacking function, and hit the shutter button. I shot three focus stacking sequences of different parts of the knife of which this looked best.
Processing steps: The cold / warm light effect is something I get quite often when I use different light sources as above mentioned. It even works with one artificial light source (provided it gives warm light) and daylight from the window. Here I liked the split tone effect very much because I think it adds more depth to image. I wish I could have achieved the vivid colours you see here entirely by the use of light and the use of a colour filter (warm-cold or a combination of a cooling and a warming filter), but I've only recently considered to buy a few photo filters to improve my landscape photography, and since a good filter is expensive, I think I will buy one or two more versatile filters first before checking out the more exotic colour filters. So the colour enhancement here was done in Lightroom, where I tweaked the saturation and luminance of the blue, yellow and orange tones, and then in Nik's Color Efex, where, as final touch, I applied a Bi-color filter. I hope that these processing steps are deemed OK according to the new MM rules regarding the editing of an MM shot. I also did some sharpening and de-noising in Topaz Sharpen AI ("Focus" yielded the best result).
HMM, Everyone, and have a beautiful and safe week ahead!