podenga
duende
Best seen in Large.
Paco de Lucia's duende: www.youtube.com/watch?v=qEPFSU825dw
Duende is a difficult-to-define phrase used in the Spanish arts, including performing arts. From the original meaning (a fairy- or goblin-like creature in Spanish and Latin American mythology), the artistic and especially musical term was derived.
The meaning of duende as in tener duende (having duende) is a rarely-explained concept in Spanish art, particularly flamenco, having to do with emotion, expression and authenticity. In fact, tener duende can be loosely translated as having soul.
El duende is the spirit of evocation. It comes from inside as a physical/emotional response to music. It is what gives you chills, makes you smile or cry as a bodily reaction to an artistic performance that is particularly expressive. Folk music in general, especially flamenco, tends to embody an authenticity that comes from a people whose culture is enriched by diaspora and hardship; vox populi, the human condition of joys and sorrows. It is thus as universal in its meaning as it is immensely personal and culturally contextual by its nature.
Drawing on popular usage and Spanish folklore, Federico García Lorca first developed the aesthetics of Duende in a lecture he gave in Buenos Aires in 1933, "Juego y teoria del duende" ("Play and Theory of the Duende").
According to Christopher Maurer, editor of "In Search of Duende", at least four elements can be isolated in Lorca's vision of duende: irrationality, earthiness, a heightened awareness of death, and a dash of the diabolical. The duende is a demonic earth spirit who helps the artist to see the limitations of intelligence, reminding him that "ants could eat him or that a great arsenic lobster could fall suddenly on his head"; who brings the artist face-to-face with death, and who helps him create and communicate memorable, spine-chilling art. The duende is seen, in Lorca's lecture, as an alternative to style, to mere virtuosity, to God-given grace and charm (what Spaniards call "angel"), and to the classical, artistic norms dictated by the muse.
(in Wikipedia)
Dress: Cutea Benelli (Grim Bros.)
Flamenco pose: Amimation
Second Life - Dreamworld Reef
duende
Best seen in Large.
Paco de Lucia's duende: www.youtube.com/watch?v=qEPFSU825dw
Duende is a difficult-to-define phrase used in the Spanish arts, including performing arts. From the original meaning (a fairy- or goblin-like creature in Spanish and Latin American mythology), the artistic and especially musical term was derived.
The meaning of duende as in tener duende (having duende) is a rarely-explained concept in Spanish art, particularly flamenco, having to do with emotion, expression and authenticity. In fact, tener duende can be loosely translated as having soul.
El duende is the spirit of evocation. It comes from inside as a physical/emotional response to music. It is what gives you chills, makes you smile or cry as a bodily reaction to an artistic performance that is particularly expressive. Folk music in general, especially flamenco, tends to embody an authenticity that comes from a people whose culture is enriched by diaspora and hardship; vox populi, the human condition of joys and sorrows. It is thus as universal in its meaning as it is immensely personal and culturally contextual by its nature.
Drawing on popular usage and Spanish folklore, Federico García Lorca first developed the aesthetics of Duende in a lecture he gave in Buenos Aires in 1933, "Juego y teoria del duende" ("Play and Theory of the Duende").
According to Christopher Maurer, editor of "In Search of Duende", at least four elements can be isolated in Lorca's vision of duende: irrationality, earthiness, a heightened awareness of death, and a dash of the diabolical. The duende is a demonic earth spirit who helps the artist to see the limitations of intelligence, reminding him that "ants could eat him or that a great arsenic lobster could fall suddenly on his head"; who brings the artist face-to-face with death, and who helps him create and communicate memorable, spine-chilling art. The duende is seen, in Lorca's lecture, as an alternative to style, to mere virtuosity, to God-given grace and charm (what Spaniards call "angel"), and to the classical, artistic norms dictated by the muse.
(in Wikipedia)
Dress: Cutea Benelli (Grim Bros.)
Flamenco pose: Amimation
Second Life - Dreamworld Reef