Brad Visser
Sunlight on houses III
As Summer started to roll around in earnest, I began to feel the itch to try some colour photography. This was in part fuelled by the improving weather, but also due to a number of other photographers that I follow and admire. Edward Hopper's work proved to be influential with its quiet beauty, though I never quite found the unease that he painted into a variety of his works.
Baden and it's surrounds don't quite have the same magic light or free-standing period houses as in Hopper's landscapes, but it has its own kind of beauty. A beauty that I tried to commit to film in this series of images.
Committed to Fujifilm C200 using a Leica M6 and various lenses. Developed with a C-41 kit from Cinestill and digitised with a digital camera and macro lens. Positive conversion and contrast done with Negative Lab Pro. Dust removal and further contrast adjustment in Photoshop.
Sunlight on houses III
As Summer started to roll around in earnest, I began to feel the itch to try some colour photography. This was in part fuelled by the improving weather, but also due to a number of other photographers that I follow and admire. Edward Hopper's work proved to be influential with its quiet beauty, though I never quite found the unease that he painted into a variety of his works.
Baden and it's surrounds don't quite have the same magic light or free-standing period houses as in Hopper's landscapes, but it has its own kind of beauty. A beauty that I tried to commit to film in this series of images.
Committed to Fujifilm C200 using a Leica M6 and various lenses. Developed with a C-41 kit from Cinestill and digitised with a digital camera and macro lens. Positive conversion and contrast done with Negative Lab Pro. Dust removal and further contrast adjustment in Photoshop.