Brad Visser
352b/366 Push back
On that particular outing I decided to try something different in the forest. You see, I normally take my forest images with a normal or telephoto lens to be able to select just a small part of the scene to frame. However, this time I additionally took a super wide lens to me, in fact one that is attached to its own camera - the Hasselblad SWC/M. It's a completely different experience photographing with a super wide lens and for me it always seems the centre of the image is pushed so far back. One only improves by practicing though and here are my favourite images from the roll I shot in the forest.
Film: Fomapan 400
Camera: Hasselblad SWC/M
Developed in Ars-Imago #9 (rodinal) 1:99 semi-stand.
Digitised with an Epson V850 using Silverfast. Positive conversion and levels done with Negative Lab Pro.
352b/366 Push back
On that particular outing I decided to try something different in the forest. You see, I normally take my forest images with a normal or telephoto lens to be able to select just a small part of the scene to frame. However, this time I additionally took a super wide lens to me, in fact one that is attached to its own camera - the Hasselblad SWC/M. It's a completely different experience photographing with a super wide lens and for me it always seems the centre of the image is pushed so far back. One only improves by practicing though and here are my favourite images from the roll I shot in the forest.
Film: Fomapan 400
Camera: Hasselblad SWC/M
Developed in Ars-Imago #9 (rodinal) 1:99 semi-stand.
Digitised with an Epson V850 using Silverfast. Positive conversion and levels done with Negative Lab Pro.