The cast of the final season of the hit Series Remington Steele with Jack Scalia, Stephanie Zimbalist & Pierce Brosnan.

One of the world's favorite TV Detective Shows come to life as Dolls for all to enjoy. Here's the classy stars of the hit comedy mystery adventure Remington Steele. The handsomely dashing Pierce Brosnan as Mr. Steele (James Bond 007) and the elegantly smart Stephanie Zimbalist as Laura Holt both created by Artist Laurie Everton.

 

Remington Steele is an American television series co-created by Robert Butler and Michael Gleason. The series, starring Stephanie Zimbalist and Pierce Brosnan, was produced by MTM Enterprises and first broadcast on the NBC network from 1982 to 1987. The series blended the genres of romantic comedy, drama, and detective procedural. Remington Steele is best known for launching the career of Pierce Brosnan and for serving as a forerunner of the similar series Moonlighting.

 

Remington Steele's premise is that Laura Holt, a licensed private detective played by Stephanie Zimbalist, opened a detective agency under her own name but found that potential clients refused to hire a woman, however qualified. To solve the problem, Laura invents a fictitious male superior whom she names Remington Steele. Through a series of events that unfold in the first episode, License to Steele Pierce Brosnan's character, a former thief and con man whose real name is never revealed, assumes the identity of Remington Steele. Behind the scenes, Laura remains firmly in charge.

 

Any history of American television in the 1980s will conclude that TV drama underwent a significant evolution in both content and styles of storytelling.[ Remington Steele is best known for launching the career of Pierce Brosnan and for serving as a forerunner of the similar, edgier series Moonlighting, and was also an influential part of television history in its own right. Recent evaluations, in the wake of the series' full release on DVD, conclude that Steele was solidly crafted, well-acted and groundbreaking in its own way. Other recent evaluations have also noted that series has aged better than some other series of its time, perhaps due to the timelessness of its central theme.

 

Steele was a unique hybrid of romantic comedy, drama, and detective procedural that paid homage to Hollywood movies of the 1930s and 1940s, drawing particularly from screwball comedy in the romantic storyline, while often referencing film noir in the mystery storylines. It subverted 1970s detective show conventions by telling its stories from the point of view of an independent, professional woman. At a time when hour-long series were serious and half-hour series were humorous, Steele incorporated multiple styles of comedy into the standard detective format. It pioneered the slowly evolving will they or won't they" relationship arc that is now common to television drama of all genres. Furthermore, Steele’s unusual premise allowed it to explore themes of personal identity and role-playing in strikingly complex ways. As critic Jaime Weinman concludes, Remington Steele is a great hybrid of detective story and romance because it treats romance as similar to detective work: it's about finding out what the other person is hiding.

 

Many female fans see Laura Holt as a hero and a role model. In an interview recorded in 2005 for a DVD special feature, Remington Steele co-creator Michael Gleason and star Stephanie Zimbalist discuss the large number of women who have approached them over the years to express their appreciation for the character of Laura Holt. Speaking of the women she meets, Zimbalist said They are extraordinary women…. They are interesting. They do interesting things. They are smart. They're independent. They're sort of, what my character was – and I meet them all the time. Also in 2005, Robin Rauzi published an article in the Los Angeles Times saying that Laura Holt was her hero. In a subsequent interview Rauzi elaborated, saying that Laura "was one of the only examples of an unmarried modern career woman on TV that I could identify with at that time" and that Laura "didn’t seem that far away from who I was and who I could be." Rauzi concludes, "I’ve decided to stop being embarrassed to say Remington Steele changed my life. It did and for the better."

 

Glenn Gordon Caron, creator of Moonlighting, was a writer and producer of Remington Steele during its first ten episodes and left the series to pursue other opportunities. In addition to Caron, many other successful television writers worked on Steele early in their career, later becoming producers and showrunners on other series, including Lee David Zlotoff (MacGyver), Jeff Melvoin (Northern Exposure, Alias), Brad Kern (Charmed, Lois & Clark) John Wirth (Picket Fences, Nash Bridges) and the team of Kerry Lenhart and John J. Sakmar. In a DVD special feature included on the Season 3 compilation, several of these Remington Steele writers credit Michael Gleason as a mentor, with Kerry Lenhart saying that Gleason taught him that television "writing could be a worthwhile and noble endeavor." In the same feature, Kern states that Gleason challenged them to do something that had not been done before and Melvoin says that Gleason "remains the biggest influence in my professional life." Melvoin and Wirth have edited a guide to writing for prime time episodic television for the Writer's Guild of America - west in an effort to continue Gleason's tradition of mentoring young writers.

 

Remington Steele’s initial premise was conceived in 1969 by long-time television director Robert Butler as a series featuring a solo female private investigator. Butler pitched the idea to Grant Tinker before he was head of MTM, but Tinker felt the series was ahead of its time. In January 1980, following the success of several sitcoms featuring working women, including the groundbreaking Mary Tyler Moore Show, Butler and Tinker, now head of MTM, revived the concept. MTM Vice President of Programming Stu Erwin felt Butler's concept was only "half a show" and suggested that Butler work with veteran writer Michael Gleason to expand the premise. Imagining Holt’s fictional boss, Gleason proposed to Butler, Wouldn’t it be great if he showed up and made her crazy? In 1981, Gleason, Butler, Erwin and Tinker pitched the series to NBC, and were initially rejected by executives who didn't "get" the premise. Shortly thereafter, Tinker left MTM to become chairman of NBC, then the number three network, and subsequently a pilot was ordered.

 

Stephanie Zimbalist, an established actress with roles in several television movies, was approached for the role of Laura Holt. She first turned the series down, not wishing to be tied down to one show, but had a late night change of heart. Pierce Brosnan auditioned for the role of Remington Steele, but was initially refused by NBC executives who were concerned that Brosnan was a relative unknown in America. MTM's Stu Erwin stood firm in a face to face meeting with NBC executive Brandon Tartikoff and Tartikoff relented.

 

Originally, NBC asked for pilot that imagined the series six months into its run, with the characters already working together in the detective agency. This pilot was produced in February and March 1982, and was eventually aired with revisions as Tempered Steele. NBC had some concerns about audience confusion over this episode, but ultimately agreed to schedule the series for the 1982-83 season. NBC also asked for a premise pilot which told the story of how Laura Holt met the man who became Remington Steele. This second pilot, License to Steele, became the first episode aired in the series.

 

Although part of the show's appeal was the sexual tension between the main characters, in real life the production was dogged for years by rumors that its two leads did not get along. Brosnan and Zimbalist have admitted some level of personal conflict in press interviews during and since, attributing some of it to the stress of long working hours, while also maintaining that it did not impact their ability to work together. Whatever discord there may have been at the time of production, Brosnan and Zimbalist speak fondly of one another in more recent interviews, and are occasionally in touch. In an interview included on the DVD release of Season 1, Brosnan says they did get along and trusted one another professionally. Brosnan also praises Zimbalist's acting on his official web site, saying that he would work with her again on the right project. Zimbalist returned the compliment in a 2011 interview with the New Jersey Star-Ledger, saying Pierce Brosnan is a very sweet man.

 

The series was cancelled at the end of the 1985–86 television season, although it still had a 28% share of the audience in its time slot. According to Michael Gleason, Brandon Tartikoff's decision to give an early pick-up to the Stephen J. Cannell series Hunter left no room on the NBC schedule for Remington Steele. Two months after the cancellation, NBC executive Warren Littlefield reversed the decision, responding to an outpouring of support from fans and a sharp upswing in the show's ratings during the summer of 1986.

 

The cancellation and reversal impacted film roles for both Brosnan and Zimbalist. Albert R. "Cubby" Broccoli offered Brosnan the part of James Bond for the film The Living Daylights. Following NBC's reversal, Broccoli stated he did not want Bond to be identified with a current TV series, and instead gave the role to Timothy Dalton. Brosnan finally became 007 in 1995, making his debut in the film GoldenEye. Zimbalist accepted the role of Officer Anne Lewis in the science-fiction movie RoboCop and was forced to pull out of that production.

 

NBC reversed the cancellation, but did not slot a full twenty-two episode season into their schedule. The final abbreviated season consisted of six hours of made-for-TV films broadcast in early 1987, including installments filmed on location in Mexico, London, and Ireland. Jack Scalia joined the cast as a rival for Laura's affections. The circumstances surrounding Steele's birth as well as the identity of Steele's father are revealed in the final episode. The final scene of the series implied that Steele and Laura were about to consummate their relationship.

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