yourebanthafodder
Jeffrey’s Neck Road
Shot with Nikon D200, Nikkor NC 35mm f1.4 AI converted. ETTR Method in UniWB, pulled in Lightroom.
The filters I use depend on the color of the light outside and my surroundings... which color channels I wish to emphasize.#
Nikon HM3 Lens hood to reduce incidental snow glare. 3 filters in-line to narrow the histogram band into the right region.
This was using:
•Hoya FL-Day on top, to push the red and blue photosites to match the native green. It attenuates the green slightly less than the CC30M, and pushes the red more than the blue. I like the Hoya FL-D more than the Tiffen FL-D. It’s more transparent and it’s warmer.
•Tiffen Ultra Contrast 3 below the polarizer, (closest to the lens), to drastically narrow global contrast and push the majority of the tonal data into the right half of the histogram.
No polarizer this time. Shooting sans-polarizer is a stylistic choice that gives a more ‘silvery’ image at times.
Single exposure, No HDR.
Jeffrey’s Neck Road
Shot with Nikon D200, Nikkor NC 35mm f1.4 AI converted. ETTR Method in UniWB, pulled in Lightroom.
The filters I use depend on the color of the light outside and my surroundings... which color channels I wish to emphasize.#
Nikon HM3 Lens hood to reduce incidental snow glare. 3 filters in-line to narrow the histogram band into the right region.
This was using:
•Hoya FL-Day on top, to push the red and blue photosites to match the native green. It attenuates the green slightly less than the CC30M, and pushes the red more than the blue. I like the Hoya FL-D more than the Tiffen FL-D. It’s more transparent and it’s warmer.
•Tiffen Ultra Contrast 3 below the polarizer, (closest to the lens), to drastically narrow global contrast and push the majority of the tonal data into the right half of the histogram.
No polarizer this time. Shooting sans-polarizer is a stylistic choice that gives a more ‘silvery’ image at times.
Single exposure, No HDR.