DIGIDOODLES - THE BLACK HOLES OF CHERBOURG
singulari-tea
beyond event horizon
extrovert black holes
------------------------------------
I was experimenting with some iOrnament technoceltic pieces when news about the first photograph of a black hole broke. As remarkably cool as that epic piccy of M-87 is, I got to wondering if the event horizons of Black Holes could be manipulated, by themselves (if sentitent!) or by some unimaginably powerful onlookers, in a more artful fashion.
For all I know, they could be used for cosmic advertising...created by intergalactic "Mad Men", using Jack "King" Kirby's borrowed space pencil!
Billboards along the Deep Space hyperspatial bypass shunt.
The connection with imagery from Jacques Demy's 1964 musical romance, "Umbrellas Of Cherbourg" connection in the title derived from the odd point of view shift I noticed when looking at the drawing, when suddenly I found myself looking at the field from 'overhead', instead of from in front of it. (Big) Bang! There you have it, a Loss of Umbrellas! (Maybe Deep Space is where they end up!) I varied the size of each 'oddament' to build in a sense of motion and depth and also took some care over the distribution of colours. There's a couple of variations of this I intend to develop, as well.
DIGIDOODLES - THE BLACK HOLES OF CHERBOURG
singulari-tea
beyond event horizon
extrovert black holes
------------------------------------
I was experimenting with some iOrnament technoceltic pieces when news about the first photograph of a black hole broke. As remarkably cool as that epic piccy of M-87 is, I got to wondering if the event horizons of Black Holes could be manipulated, by themselves (if sentitent!) or by some unimaginably powerful onlookers, in a more artful fashion.
For all I know, they could be used for cosmic advertising...created by intergalactic "Mad Men", using Jack "King" Kirby's borrowed space pencil!
Billboards along the Deep Space hyperspatial bypass shunt.
The connection with imagery from Jacques Demy's 1964 musical romance, "Umbrellas Of Cherbourg" connection in the title derived from the odd point of view shift I noticed when looking at the drawing, when suddenly I found myself looking at the field from 'overhead', instead of from in front of it. (Big) Bang! There you have it, a Loss of Umbrellas! (Maybe Deep Space is where they end up!) I varied the size of each 'oddament' to build in a sense of motion and depth and also took some care over the distribution of colours. There's a couple of variations of this I intend to develop, as well.