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David alfaro siqueiros, Mexico.Unfinished 1940s mural painted by David Alfaro Siqueiros, in Escuela de Bellas Artes, a cultural center in San Miguel de Allende, Gto.
David Alfaro Siqueiros (born José de Jesús Alfaro Siqueiros, December 29, 1896, in Chihuahua, Chih. - January 6, 1974, in Cuernavaca, Morelos) was a Mexican social realist painter, better known for his large murals in fresco. Along with Diego Rivera and José Clemente Orozco, he established "Mexican Muralism." He was a Stalinist and member of the Mexican Communist Party who participated in an unsuccessful attempt to assassinate Leon Trotsky in May 1940.
His surname was Alfaro; like another eminent 20th century painter, Pablo Ruíz y Picasso, Siqueiros went by his mother's surname. It was long believed that he was born in Camargo, Chihuahua, but in 2003 it was proven that he had actually been born in Chihuahua's capital city but grew up in Irapuato, Guanajuato, at least from the age of six. The discovery of his birth certificate, made by a Mexican art curator, was announced the following year (2004) by art critic Raquel Tibol, who was renowned as the leading authority on Mexican Muralism[1] and who had been a close acquaintance of Siqueiros.[2] Siqueiros switched his given name to "David" after his first wife took to calling him it admiringly, in allusion to Michelangelo's, David.[2][3] Another factual confusion is the year of his birth. He was born in 1896 but many sources state 1898 or 1899.
Many details of his childhood, including birth date, birthplace, first name, and where he grew up, were misstated during his life and long after his death, in some cases by his own reports. Often, he is reported to have been born and raised in 1898 in a town in the state of Chihuahua, and his personal names are reported to be "José David".
Siqueiros was born in Chihuahua in 1896, the second of three children. He was baptized José de Jesús Alfaro Siqueiros.[2] [3] His father, Cipriano Alfaro, originally from Irapuato, was well-off. His mother was Teresa Siqueiros. Siqueiros had two siblings: a sister, Luz, three years older, and a brother "Chucho" (Jesús), a year younger. David was four years old when his mother passed away and his father sent the children to live with their paternal grandparents.[4] David’s grandfather, nicknamed "Siete Filos" ('seven knife-edges'), would have an especially strong role in his upbringing. In 1902, Siqueiros was enrolled in school in Irapuato, Guanajuato.
He credits his first rebellious influence to his sister, who had resisted their father’s religious orthodoxy. Around this time, Siqueiros was also exposed to new political ideas, mainly along the lines of anarcho-syndicalism. One such political theorist was Dr. Atl, who published a manifesto in 1906 calling for Mexican artists to develop a national art and look to ancient indigenous cultures for inspiration.[5] In 1911, at age fifteen, Siqueiros was involved in a student strike at the Academy of San Carlos of the National Academy of Fine Arts that protested the school's teaching methodology and urged the school's director impeachment. Their protests eventually led to the establishment of an “open-air academy” in Santa Anita[disambiguation needed].[5]
At the age of eighteen, Siqueiros and several of his colleagues from the School of Fine Arts joined Venustiano Carranza’s Constitutional Army fighting Huerta's government. When Huerta fell in 1914, Siqueiros became enmeshed in the “post-revolutionary” infighting, as the Constitutional Army had to battle the diverse political factions of Pancho Villa and Emiliano Zapata for control.[5] His military travels around the country exposed him to Mexican culture and the raw everyday struggles of the working and rural poor classes. After Carranza’s forces had gained control, Siqueiros briefly returned to Mexico City to paint before traveling to Europe in 1919. First in Paris, he absorbed the influence of cubism, intrigued particularly with Paul Cézanne and the use of large blocks of intense color. While there, he also met Diego Rivera, another Mexican painter of “the big three” just on the brink of a legendary career in muralism, and traveled with him throughout Italy to study the great fresco painters of the Renaissance.[5]
David alfaro siqueiros, Mexico.Unfinished 1940s mural painted by David Alfaro Siqueiros, in Escuela de Bellas Artes, a cultural center in San Miguel de Allende, Gto.
David Alfaro Siqueiros (born José de Jesús Alfaro Siqueiros, December 29, 1896, in Chihuahua, Chih. - January 6, 1974, in Cuernavaca, Morelos) was a Mexican social realist painter, better known for his large murals in fresco. Along with Diego Rivera and José Clemente Orozco, he established "Mexican Muralism." He was a Stalinist and member of the Mexican Communist Party who participated in an unsuccessful attempt to assassinate Leon Trotsky in May 1940.
His surname was Alfaro; like another eminent 20th century painter, Pablo Ruíz y Picasso, Siqueiros went by his mother's surname. It was long believed that he was born in Camargo, Chihuahua, but in 2003 it was proven that he had actually been born in Chihuahua's capital city but grew up in Irapuato, Guanajuato, at least from the age of six. The discovery of his birth certificate, made by a Mexican art curator, was announced the following year (2004) by art critic Raquel Tibol, who was renowned as the leading authority on Mexican Muralism[1] and who had been a close acquaintance of Siqueiros.[2] Siqueiros switched his given name to "David" after his first wife took to calling him it admiringly, in allusion to Michelangelo's, David.[2][3] Another factual confusion is the year of his birth. He was born in 1896 but many sources state 1898 or 1899.
Many details of his childhood, including birth date, birthplace, first name, and where he grew up, were misstated during his life and long after his death, in some cases by his own reports. Often, he is reported to have been born and raised in 1898 in a town in the state of Chihuahua, and his personal names are reported to be "José David".
Siqueiros was born in Chihuahua in 1896, the second of three children. He was baptized José de Jesús Alfaro Siqueiros.[2] [3] His father, Cipriano Alfaro, originally from Irapuato, was well-off. His mother was Teresa Siqueiros. Siqueiros had two siblings: a sister, Luz, three years older, and a brother "Chucho" (Jesús), a year younger. David was four years old when his mother passed away and his father sent the children to live with their paternal grandparents.[4] David’s grandfather, nicknamed "Siete Filos" ('seven knife-edges'), would have an especially strong role in his upbringing. In 1902, Siqueiros was enrolled in school in Irapuato, Guanajuato.
He credits his first rebellious influence to his sister, who had resisted their father’s religious orthodoxy. Around this time, Siqueiros was also exposed to new political ideas, mainly along the lines of anarcho-syndicalism. One such political theorist was Dr. Atl, who published a manifesto in 1906 calling for Mexican artists to develop a national art and look to ancient indigenous cultures for inspiration.[5] In 1911, at age fifteen, Siqueiros was involved in a student strike at the Academy of San Carlos of the National Academy of Fine Arts that protested the school's teaching methodology and urged the school's director impeachment. Their protests eventually led to the establishment of an “open-air academy” in Santa Anita[disambiguation needed].[5]
At the age of eighteen, Siqueiros and several of his colleagues from the School of Fine Arts joined Venustiano Carranza’s Constitutional Army fighting Huerta's government. When Huerta fell in 1914, Siqueiros became enmeshed in the “post-revolutionary” infighting, as the Constitutional Army had to battle the diverse political factions of Pancho Villa and Emiliano Zapata for control.[5] His military travels around the country exposed him to Mexican culture and the raw everyday struggles of the working and rural poor classes. After Carranza’s forces had gained control, Siqueiros briefly returned to Mexico City to paint before traveling to Europe in 1919. First in Paris, he absorbed the influence of cubism, intrigued particularly with Paul Cézanne and the use of large blocks of intense color. While there, he also met Diego Rivera, another Mexican painter of “the big three” just on the brink of a legendary career in muralism, and traveled with him throughout Italy to study the great fresco painters of the Renaissance.[5]