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Because of the work of L. R. Emerson II and other supporting Upside-Down artists the old texts and teaching foundations known as The Principles of Art/Design are outdated and need revision. Museums, Art Critics, Educators, conservators and Historians can no longer ignore the relevance and merit of multi-directional composition or Upside-Down Art.

•In 2005, after having been kept secret for over two decades, Masg or Upside-Down Art was introduced to more than 500 galleries and in excess of 50 renowned museums worldwide including:

National Gallery

Tate Museum, London

Smithsonian American Art Museum

Musée du Louvre, Paris

The Museum of Modern Art, NYC

Solomon R. Guggenheim Foundation

San Francisco Museum of Modern Art

The J. Paul Getty Museum, Los Angeles

 

Additionally, several videos were produced in the past three years and subsequently presented to the global community including the following:

Art is Art is Art by L R Emerson II

www.youtube.com/watch?v=ftwMV0kxeuo

L R Emerson II Art

www.youtube.com/watch?v=gyekoiK5N4c

Art is Upside-Down by L R Emerson II

www.youtube.com/watch?v=f7R5nuZ-2So

Art 21 L. R. Emerson II: Masg A New Art Movement

www.youtube.com/watch?v=xIYCTL-cnPs

Art History by L. R. Emerson II

www.youtube.com/watch?v=rjlw6iFfnvQ

Math and Art - Music and Art

www.youtube.com/watch?v=Ks1RKmUodbA

The Purple Tree: Art in a Boundless Age

www.youtube.com/watch?v=OjZwNnWZNLA

 

“Currently as I continue my research and documentation I look toward an Upside-Down Art group exhibition including myself, Georg Baselitz, and Anish Kapoor. London’s Tate Museum, NYC Guggenheim, MOMA and the Los Angeles County Museum of Art are fine venues for this warranted proposal. The considerably unusual exhibition will likely be presented as the world’s most unusual art of the 20th and 21st Century.

We have come a long way but still have an engaging journey ahead. I am pleased however at our progress so far and know we have truly shattered the proverbial “glass ceiling” or stronghold of art conservators, critics and museums as they too now have accepted our methods of composition and see that we have forever changed the manner in which art is composed.

The more I’ve advocated for Upside-Down Art, the greater the number of artists we (representatives and assistants) find are mimicking my style, however this is rewarding to me. Neither am I displeased to be named ‘Jack the Flipper’ (linguistically spinning Pollack’s ‘… dripper’ nomenclature).” Excerpt: L. R. Emerson II, 2012

Please see the revolutionary art of L. R. Emerson II at www.upside-down-art.com , “The World’s Largest Solo Artist Site” TM, and consider the merit of L. R. Emerson II’s work for inclusion in your presentation, writing, evaluation and discussion of 21st Century Art.

 

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Uploaded on May 2, 2012
Taken on May 2, 2012