Mohsen YZ
Sensitivity 1
On page 6 of the textbook, read through Minor White’s notion of how a photographer walking down an average block “in a state of sensitized sympathy to everything to be seen…. would be exhausted and out of film” before finishing the short walk. Choose a short span of what you consider to be “average space,” a place that has nothing of obvious note about it (could be indoors, outdoors, but normally considered to be “unremarkable” by you) and put yourself in this kind of state of “sensitized sympathy” and hyper-acute awareness to your visual sense, and use this state of mind as the basis of a photographic exploration.
Sensitivity 1
On page 6 of the textbook, read through Minor White’s notion of how a photographer walking down an average block “in a state of sensitized sympathy to everything to be seen…. would be exhausted and out of film” before finishing the short walk. Choose a short span of what you consider to be “average space,” a place that has nothing of obvious note about it (could be indoors, outdoors, but normally considered to be “unremarkable” by you) and put yourself in this kind of state of “sensitized sympathy” and hyper-acute awareness to your visual sense, and use this state of mind as the basis of a photographic exploration.