ijneK .
Out of place in Omotesandou, Tokyo.
Leica M3
Leica L-Screw mount Red Scale Elmar 1:3.5/50 Collapsible
Those of you who know me will understand, but the color of that double-decker bus is not red, but blue. I also put the Zoff blue logo inside the frame for clarity. Compare it with the license plate of the bus and the green leaves of the trees lining the road on the right side, and enjoy the monochrome.
The double-decker bus in the subject is a sightseeing bus that also serves as a product advertisement for a limited period (July 15th, 16th, 17th, 22nd, 23rd) and location (Harajuku/Omotesando only). It seems that it is a vehicle that was actually running in London.
I wasn't sure if I should put the car number of the bus or not, but I put it on purpose to clearly show that this is Japan. As for shooting restrictions, I did not put the car number of other vehicles or Japanese language, put the subject of other cars in the background, and shoot the shutter in consideration of the moment when the bus driver looked up.
*Uses an adapter that converts the Leica L-Screw mount to the Leica M mount.
*Not trimmed.
Film: ILFORD PANF+ 50
Developer: ILFORD MICROPHEN
Development time: 24°C, 2 minutes
film scan
[Postscript]
What is most important to a black-and-white photograph varies from person to person, but in my case, I assume that I will be printing on silver halide photographic paper at home, so the gray tone, which occupies the largest area in the photograph, is the most important. I pay a lot of attention to tone. If you want to add a lot of blue among the primary colors, the sky or the sea would be the most familiar, but it is often difficult to make it the main subject of a snapshot because of its vague shape.
Luckily, this time I found a subject that looked like a giant blue (and double-decker bus!) and got my blood pumping.
I was really lucky to be able to put elements such as brand logos such as IPSA and Zoff, leaves of roadside trees, cars with blurred subjects, car numbers in Japan, and human gestures that can be felt in motion (^ o ^)
A snapshot is a photograph of a subject taken quickly and naturally. From now on, I would like to devote myself to being able to take snapshots that never miss a moment.
Out of place in Omotesandou, Tokyo.
Leica M3
Leica L-Screw mount Red Scale Elmar 1:3.5/50 Collapsible
Those of you who know me will understand, but the color of that double-decker bus is not red, but blue. I also put the Zoff blue logo inside the frame for clarity. Compare it with the license plate of the bus and the green leaves of the trees lining the road on the right side, and enjoy the monochrome.
The double-decker bus in the subject is a sightseeing bus that also serves as a product advertisement for a limited period (July 15th, 16th, 17th, 22nd, 23rd) and location (Harajuku/Omotesando only). It seems that it is a vehicle that was actually running in London.
I wasn't sure if I should put the car number of the bus or not, but I put it on purpose to clearly show that this is Japan. As for shooting restrictions, I did not put the car number of other vehicles or Japanese language, put the subject of other cars in the background, and shoot the shutter in consideration of the moment when the bus driver looked up.
*Uses an adapter that converts the Leica L-Screw mount to the Leica M mount.
*Not trimmed.
Film: ILFORD PANF+ 50
Developer: ILFORD MICROPHEN
Development time: 24°C, 2 minutes
film scan
[Postscript]
What is most important to a black-and-white photograph varies from person to person, but in my case, I assume that I will be printing on silver halide photographic paper at home, so the gray tone, which occupies the largest area in the photograph, is the most important. I pay a lot of attention to tone. If you want to add a lot of blue among the primary colors, the sky or the sea would be the most familiar, but it is often difficult to make it the main subject of a snapshot because of its vague shape.
Luckily, this time I found a subject that looked like a giant blue (and double-decker bus!) and got my blood pumping.
I was really lucky to be able to put elements such as brand logos such as IPSA and Zoff, leaves of roadside trees, cars with blurred subjects, car numbers in Japan, and human gestures that can be felt in motion (^ o ^)
A snapshot is a photograph of a subject taken quickly and naturally. From now on, I would like to devote myself to being able to take snapshots that never miss a moment.