Mur premonitori / Grim ghetto wall
IN ENGLISH BELOW THE LINE
Foto presa amb una Zeiss-Ikon Contax II fabricada el 1936; objectiu KMZ Jupiter-12 f2.8/35mm fabricat el 1959; pel·licula Kodak Double-X (o Eastman 5222), revelada amb Bellini D96 sense diluir.
Al carrer Lwowska hi ha un dels pocs fragments que sobreviuen del mur que els nazis feren construir entorn el ghetto. L'aspecte de tombes jueves fou fet expressament, en un humor negre.
Al barri de Podgórze, al sud del Vistula, és on es trobà l'autentic ghetto de Varsovia (1941-1943). Tot i que La llista de Schindler filmaren principalment a Kazimierz com a escenaris del ghetto, val a dir que es mostra com els jueus foren forçats a anar al sud del riu cap a dins el ghetto.
El gobernador nazi, Hans Frank, decidí que Kazimierz, el barri tradicional jueu, era massa a prop del centre de Cracovia, que havia de ser germanitzat. Per això es creà el ghetto més lluny. Actualment pocs detalls en queden del ghetto, però la majoria d'edificis són els mateixos.
=====================================
Photo taken with a Zeiss-Ikon Contax II manufactured in 1936; KMZ Jupiter-12 f2.8/35mm lens made in 1959; Kodak Double-X (or Eastman 5222) film, developed with undiluted Bellini D96.
In Lwowska street lays this section of the original ghetto wall, forcefully built by the nazis. The shape of tombstones was done on purpose as a kind of sarcastic joke.
In the neighborhood of Podgórze, south of the Vistula, is where the authentic Warsaw ghetto was located (1941-1943). Although Schindler's List was primarily filmed in Kazimierz as the ghetto's setting, it is worth noting that it shows how the Jews were forced south of the river into the ghetto.
The Nazi governor, Hans Frank, decided that Kazimierz, the traditional Jewish quarter, was too close to the center of Krakow, which had to be Germanized. That's why the ghetto was created further away. Today few details remain of the ghetto, but most of the buildings are the same.
Mur premonitori / Grim ghetto wall
IN ENGLISH BELOW THE LINE
Foto presa amb una Zeiss-Ikon Contax II fabricada el 1936; objectiu KMZ Jupiter-12 f2.8/35mm fabricat el 1959; pel·licula Kodak Double-X (o Eastman 5222), revelada amb Bellini D96 sense diluir.
Al carrer Lwowska hi ha un dels pocs fragments que sobreviuen del mur que els nazis feren construir entorn el ghetto. L'aspecte de tombes jueves fou fet expressament, en un humor negre.
Al barri de Podgórze, al sud del Vistula, és on es trobà l'autentic ghetto de Varsovia (1941-1943). Tot i que La llista de Schindler filmaren principalment a Kazimierz com a escenaris del ghetto, val a dir que es mostra com els jueus foren forçats a anar al sud del riu cap a dins el ghetto.
El gobernador nazi, Hans Frank, decidí que Kazimierz, el barri tradicional jueu, era massa a prop del centre de Cracovia, que havia de ser germanitzat. Per això es creà el ghetto més lluny. Actualment pocs detalls en queden del ghetto, però la majoria d'edificis són els mateixos.
=====================================
Photo taken with a Zeiss-Ikon Contax II manufactured in 1936; KMZ Jupiter-12 f2.8/35mm lens made in 1959; Kodak Double-X (or Eastman 5222) film, developed with undiluted Bellini D96.
In Lwowska street lays this section of the original ghetto wall, forcefully built by the nazis. The shape of tombstones was done on purpose as a kind of sarcastic joke.
In the neighborhood of Podgórze, south of the Vistula, is where the authentic Warsaw ghetto was located (1941-1943). Although Schindler's List was primarily filmed in Kazimierz as the ghetto's setting, it is worth noting that it shows how the Jews were forced south of the river into the ghetto.
The Nazi governor, Hans Frank, decided that Kazimierz, the traditional Jewish quarter, was too close to the center of Krakow, which had to be Germanized. That's why the ghetto was created further away. Today few details remain of the ghetto, but most of the buildings are the same.