Hellenistic Delphi I – The Philosopher
Known in earlier literature as the "The Philosopher” or the "Old Man of Delphi", this statue, a characteristic example of representational art in early Hellenistic times, is one of the best-preserved statues to be unearthed in the sanctuary excavations. Dressed in a loose himation that leaves his right shoulder and chest bare, the figure stands firmly on both feet, his legs in a relaxed position. His feet are shod in sandals with narrow straps. His gaze follows the forward motion of his right hand and extended foot as though he were addressing an interlocutor or audience. His features are individualized. His massive, exaggeratedly round head with its high, protruding brow, sparse hair, sunken eyes beneath arched eyebrows, and the mouth partially hidden by a moustache that merges with the unruly curls of his beard all create a physiognomy with unique personal characteristics — a portrait, in other words.
The old man of Delphi's decisive gesture and contemplative gaze disclose his character and personality. It is obvious that this is not some random figure, but a noble, complex mature man, which explains why he was arbitrarily described a philosopher in the absence of any indication to that effect. In all probability, he was some venerable priest.
Source: Rosina Colonia, “The Archaeological Museum of Delphi”
Marble votive statue
Early Hellenistic period
Ca. 270 BC
Delphi, Archaeological Museum
Hellenistic Delphi I – The Philosopher
Known in earlier literature as the "The Philosopher” or the "Old Man of Delphi", this statue, a characteristic example of representational art in early Hellenistic times, is one of the best-preserved statues to be unearthed in the sanctuary excavations. Dressed in a loose himation that leaves his right shoulder and chest bare, the figure stands firmly on both feet, his legs in a relaxed position. His feet are shod in sandals with narrow straps. His gaze follows the forward motion of his right hand and extended foot as though he were addressing an interlocutor or audience. His features are individualized. His massive, exaggeratedly round head with its high, protruding brow, sparse hair, sunken eyes beneath arched eyebrows, and the mouth partially hidden by a moustache that merges with the unruly curls of his beard all create a physiognomy with unique personal characteristics — a portrait, in other words.
The old man of Delphi's decisive gesture and contemplative gaze disclose his character and personality. It is obvious that this is not some random figure, but a noble, complex mature man, which explains why he was arbitrarily described a philosopher in the absence of any indication to that effect. In all probability, he was some venerable priest.
Source: Rosina Colonia, “The Archaeological Museum of Delphi”
Marble votive statue
Early Hellenistic period
Ca. 270 BC
Delphi, Archaeological Museum