Edward Onslow Ford (1852-1901) - comparison between Applause (1893) and The Singer (1889), and figures on the right of Applause's pedestal (contrast enhanced), Tate Britain, 2010-2012
The centre panel is a detail from the previous shot ( www.flickr.com/photos/65986072@N00/8286251254/ ), showing on the left a figure that resembles Applause herself, although with some differences of detail, and at top right a figure that is unmistakably based on The Singer. So to demonstrate this, I've flanked the image with shots I took of the two statuettes on previous visits. The full-size versions of these images are here:
Applause: www.flickr.com/photos/65986072@N00/4930145644/
The Singer: www.flickr.com/photos/65986072@N00/5186540821/
Edward Onslow Ford (1852-1901) - comparison between Applause (1893) and The Singer (1889), and figures on the right of Applause's pedestal (contrast enhanced), Tate Britain, 2010-2012
The centre panel is a detail from the previous shot ( www.flickr.com/photos/65986072@N00/8286251254/ ), showing on the left a figure that resembles Applause herself, although with some differences of detail, and at top right a figure that is unmistakably based on The Singer. So to demonstrate this, I've flanked the image with shots I took of the two statuettes on previous visits. The full-size versions of these images are here:
Applause: www.flickr.com/photos/65986072@N00/4930145644/
The Singer: www.flickr.com/photos/65986072@N00/5186540821/