Edward Onslow Ford - The Singer back right (and distant view of Applause front left) - Tate Britain Sep 2010
F. W. Pomeroy's The Nymph of Loch Awe is reflected in The Singer's glass case.
Another attempt at portraying 'sisterhood'. For all I know the artist did conceive them as sisters; it's certainly not hard to imagine that Applause is singing and clapping along with Singer. As I've mentioned elsewhere, they were both conceived as standing on tall pedestals, and I have a feeling that they were meant to go side by side rather than opposite each other like this.
Edward Onslow Ford - The Singer back right (and distant view of Applause front left) - Tate Britain Sep 2010
F. W. Pomeroy's The Nymph of Loch Awe is reflected in The Singer's glass case.
Another attempt at portraying 'sisterhood'. For all I know the artist did conceive them as sisters; it's certainly not hard to imagine that Applause is singing and clapping along with Singer. As I've mentioned elsewhere, they were both conceived as standing on tall pedestals, and I have a feeling that they were meant to go side by side rather than opposite each other like this.