Edward Onslow Ford (1852-1901) - The Singer (1889) back right (new), Tate Britain, Aug 2010
I previously posted a similar view that had a prominent reflection from my black coat on the glass case. This one's a bit better, though you can see a faint reflection of Pomeroy's Nymph of Loch Awe on the right. Seems I previously rejected this version because of the gallery visitor on the left. Back then I suppose I had some idea that the works should be viewed in splendid isolation. More fool me.
Edward Onslow Ford (1852-1901) - The Singer (1889) back right (new), Tate Britain, Aug 2010
I previously posted a similar view that had a prominent reflection from my black coat on the glass case. This one's a bit better, though you can see a faint reflection of Pomeroy's Nymph of Loch Awe on the right. Seems I previously rejected this version because of the gallery visitor on the left. Back then I suppose I had some idea that the works should be viewed in splendid isolation. More fool me.