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GOLDFINCH
The goldfinch's preferred food is small seeds such as those from thistles (the Latin name is from Carduus, a genus of thistles) and teasels, but insects are also taken when feeding young. It also regularly visits bird feeders in winter. They nest in the outer twigs of tall leafy trees, or even in bamboo, laying four to six eggs which hatch in 11–14 days.
In the winter goldfinches group together to form flocks of up to forty birds, occasionally more.
The song is a pleasant silvery twittering. The call is a melodic tickeLIT, and the song is a pleasant tinkling medley of trills and twitters, but always including the trisyllabic call phrase or a teLLIT-teLLIT-teLLIT.
In earlier times, the Goldfinch was kept as a cagebird for its song. Escapes from captivity and deliberate releases have colonised southeastern Australia and New Zealand.
Two on a garden birdfeeder in the UK
Goldfinches are attracted to back gardens in Europe and North America by birdfeeders containing niger (commercially described as nyjer) seed. This seed of an annual from South Asia is small, and high in oils. Special polycarbonate feeders with small oval slits at which the Goldfinches feed are sometimes used.
Relationships with humans
Captive Carduelis carduelis caniceps
Goldfinches are commonly kept and bred in captivity around the world because of their distinctive appearance and pleasant song. The Goldfinch males are sometimes crossed with Canary females with the intention to produce male mules with beautiful singing voices, that often capture the best singing attributes of both breeds.
Madonna of the Goldfinch by Raphael, (c. 1505-1506)
Because of the thistle seeds it eats, in Christian symbolism the Goldfinch is associated with the Passion and Christ's Crown of Thorns. The Goldfinch, appearing in pictures of the Madonna and the Christ Child, represents the foreknowledge Jesus and Mary had of the Crucifixion. Examples include the Madonna del cardellino or Madonna of the Goldfinch, painted (c. 1505-1506) by the Italian renaissance artist Raphael, in which John the Baptist offers the goldfinch to Christ in warning of his future. In Barocci's Holy Family a goldfinch is held in the hand of John the Baptist who holds it high out of reach of an interested cat. In Cima da Conegliano's Madonna and Child, a goldfinch flutters in the hand of the Christ Child. It is also an emblem of endurance, fruitfulness, and persistence. Because it symbolizes the Passion, the goldfinch is considered a "saviour" bird and may be pictured with the common fly (which represents sin and disease).[6] The Goldfinch is also associated with Saint Jerome and appears in some of his depictions.[6]
Antonio Vivaldi composed a Concerto in D major for Flute "Il Gardellino" (RV 428, Op. 10 No. 3), where the singing of the Goldfinch is imitated by a flute.
GOLDFINCH
The goldfinch's preferred food is small seeds such as those from thistles (the Latin name is from Carduus, a genus of thistles) and teasels, but insects are also taken when feeding young. It also regularly visits bird feeders in winter. They nest in the outer twigs of tall leafy trees, or even in bamboo, laying four to six eggs which hatch in 11–14 days.
In the winter goldfinches group together to form flocks of up to forty birds, occasionally more.
The song is a pleasant silvery twittering. The call is a melodic tickeLIT, and the song is a pleasant tinkling medley of trills and twitters, but always including the trisyllabic call phrase or a teLLIT-teLLIT-teLLIT.
In earlier times, the Goldfinch was kept as a cagebird for its song. Escapes from captivity and deliberate releases have colonised southeastern Australia and New Zealand.
Two on a garden birdfeeder in the UK
Goldfinches are attracted to back gardens in Europe and North America by birdfeeders containing niger (commercially described as nyjer) seed. This seed of an annual from South Asia is small, and high in oils. Special polycarbonate feeders with small oval slits at which the Goldfinches feed are sometimes used.
Relationships with humans
Captive Carduelis carduelis caniceps
Goldfinches are commonly kept and bred in captivity around the world because of their distinctive appearance and pleasant song. The Goldfinch males are sometimes crossed with Canary females with the intention to produce male mules with beautiful singing voices, that often capture the best singing attributes of both breeds.
Madonna of the Goldfinch by Raphael, (c. 1505-1506)
Because of the thistle seeds it eats, in Christian symbolism the Goldfinch is associated with the Passion and Christ's Crown of Thorns. The Goldfinch, appearing in pictures of the Madonna and the Christ Child, represents the foreknowledge Jesus and Mary had of the Crucifixion. Examples include the Madonna del cardellino or Madonna of the Goldfinch, painted (c. 1505-1506) by the Italian renaissance artist Raphael, in which John the Baptist offers the goldfinch to Christ in warning of his future. In Barocci's Holy Family a goldfinch is held in the hand of John the Baptist who holds it high out of reach of an interested cat. In Cima da Conegliano's Madonna and Child, a goldfinch flutters in the hand of the Christ Child. It is also an emblem of endurance, fruitfulness, and persistence. Because it symbolizes the Passion, the goldfinch is considered a "saviour" bird and may be pictured with the common fly (which represents sin and disease).[6] The Goldfinch is also associated with Saint Jerome and appears in some of his depictions.[6]
Antonio Vivaldi composed a Concerto in D major for Flute "Il Gardellino" (RV 428, Op. 10 No. 3), where the singing of the Goldfinch is imitated by a flute.