-Watermark:
"Anathema" (The soul Of Misery)- Everett Nolan 2004
-This peice was one of nearly 200 featured in the "...but i will remain," Johnny Cash memorial group show/ tour.
It shared center peice with Sasha Yammashita's renound craftsmanship of the Johnny Cash two dollar bill.
-The sculptureal collage illustrates the connection between both Johnny Cash and Glen Danzig.
Despite different views on Chistianity the two connected on a spirtual level wile on American recordings thanks to Rick Rubin.
Both Cash and Danzig sharing an almost ephemeral knowledge on Christianity, they were able to connect within respect with each other, and share the recording of the song "Number 13."
*The peice itself is consructed of a hand weaved haylo of cedar twigs, dog skull, costume wings layered in acrylic white paint, a gitair fret board spines the peice with 10 horse shoe nails, two Klides spikes and one train spike (13 in total) centering around a red letra set "13.
*From the personal collection of Paul Mark.
Vancouver, BC
"Anathema" (The soul Of Misery)- Everett Nolan 2004
-This peice was one of nearly 200 featured in the "...but i will remain," Johnny Cash memorial group show/ tour.
It shared center peice with Sasha Yammashita's renound craftsmanship of the Johnny Cash two dollar bill.
-The sculptureal collage illustrates the connection between both Johnny Cash and Glen Danzig.
Despite different views on Chistianity the two connected on a spirtual level wile on American recordings thanks to Rick Rubin.
Both Cash and Danzig sharing an almost ephemeral knowledge on Christianity, they were able to connect within respect with each other, and share the recording of the song "Number 13."
*The peice itself is consructed of a hand weaved haylo of cedar twigs, dog skull, costume wings layered in acrylic white paint, a gitair fret board spines the peice with 10 horse shoe nails, two Klides spikes and one train spike (13 in total) centering around a red letra set "13.
*From the personal collection of Paul Mark.
Vancouver, BC