Hotrod Jones
This <del>ain't</del> is your grandpa's digital P&S
When I saw this at the local Goodwill I knew I had to buy it... Of course I don't have the charger, or a working (PC) computer with a floppy drive (so, to use this thing I have to power up the biga$$ Netfinity 6000R server?) Shown next to my big honker of a semi-pro 35mm (film) SLR just to give an idea of how big these first-generation digital P&S cameras were...
Strobist: One Sunpak 611 at full power, gelled 3/4 CTO, fired into a silver umbrella camera left. One Sunpak 522 gelled 1/4 CTB at 1/32 power, aimed at the cameras with a cardboard snoot just to camera left. One White Lightning Ultra 1800 at 1/32 power fired into a silver umbrella, using a homemade 7UR reflector camera right.. The White Lightning was synced with a "Cactus" remote, the two Sunpaks were optically slaved. Minimal PS to make the copy paper backdrop seamless.
This <del>ain't</del> is your grandpa's digital P&S
When I saw this at the local Goodwill I knew I had to buy it... Of course I don't have the charger, or a working (PC) computer with a floppy drive (so, to use this thing I have to power up the biga$$ Netfinity 6000R server?) Shown next to my big honker of a semi-pro 35mm (film) SLR just to give an idea of how big these first-generation digital P&S cameras were...
Strobist: One Sunpak 611 at full power, gelled 3/4 CTO, fired into a silver umbrella camera left. One Sunpak 522 gelled 1/4 CTB at 1/32 power, aimed at the cameras with a cardboard snoot just to camera left. One White Lightning Ultra 1800 at 1/32 power fired into a silver umbrella, using a homemade 7UR reflector camera right.. The White Lightning was synced with a "Cactus" remote, the two Sunpaks were optically slaved. Minimal PS to make the copy paper backdrop seamless.