Genest Le Colimacon 244pc Modigliani Fillette en Bleu Continuously Cut Jigsaw 1
It was wonderful to see our continental members returning to the house party after a long absence caused by the pandemic. Genest once more had a table with examples of his work and had also provided the hand-cut stack of three identical 324pc jigsaws for the team speed competition (Mucha advert). I bought one of these three, Rob has the second and the third has become a library jigsaw. Another jigsaw on display was a hand painted 191pc tray-jigsaw of a herring gull.
On display he had two experimental jigsaws - his first in the technique of continuous cutting.
This one had been fully dissected, with the rear mazes painted in complementary colours Modigliani portrait of a young boy, 244pc.
The second had been left at the two interlocking maze stage. I was so overwhelmed with this jigsaw (flower still life, 263pc by Jan Brueghel, not Renoir) that I forgot to even photograph it! Genest said that it took immense concentration to cut that way and was very tiring.
I feel immensely privileged to be able to buy and commission jigsaws from our BCD cutters. Genest also brought many commissions for lucky BCD members, including myself, Penbleth, Frances & Pete.
Genest Le Colimacon 244pc Modigliani Fillette en Bleu Continuously Cut Jigsaw 1
It was wonderful to see our continental members returning to the house party after a long absence caused by the pandemic. Genest once more had a table with examples of his work and had also provided the hand-cut stack of three identical 324pc jigsaws for the team speed competition (Mucha advert). I bought one of these three, Rob has the second and the third has become a library jigsaw. Another jigsaw on display was a hand painted 191pc tray-jigsaw of a herring gull.
On display he had two experimental jigsaws - his first in the technique of continuous cutting.
This one had been fully dissected, with the rear mazes painted in complementary colours Modigliani portrait of a young boy, 244pc.
The second had been left at the two interlocking maze stage. I was so overwhelmed with this jigsaw (flower still life, 263pc by Jan Brueghel, not Renoir) that I forgot to even photograph it! Genest said that it took immense concentration to cut that way and was very tiring.
I feel immensely privileged to be able to buy and commission jigsaws from our BCD cutters. Genest also brought many commissions for lucky BCD members, including myself, Penbleth, Frances & Pete.