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TGIF Free Friday - Feb 4, 2011

 

 

 

GRACE,Exhibitions,Current

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Current Exhibition

 

 

 

WINTER FOCUS EXHIBITIONS

January 7 - February 18, 2011

Catalog available.

OPENING: January 8, Gallery Talk 5 - 5:30pm, Reception 5:30 - 7:00pm

 

TRAVIS CHILDERS (UN)NATURAL

 

 

 

Staplerscape, stapler, model material, foam, glue, 3" x 7" x 2", 2010

 

(UN) NATURAL, Travis

Childers' exhibition of sculpture and installation examines the

meaning of "nature" and how humans manipulate the natural world to

create fabricated environments. In Staplerscape, the artist

covers a stapler with a miniature landscape and examines the idea of

nature taking something back from man. He questions what would happen

if people disappeared from the earth, how soon would nature take

over? As in all of Childers' work, Staplerscape illuminates

an important, current issue through a clever re-purposing of

materials: Pressing on the stapler would destroy a fragile landscape

while posing a larger question: How do everyday actions impact the

global environment?

 

See a brief video of Travis Childers at GRACE

 

 

See the DCist review

 

 

 

ELLEN CORNETT MENAGERIE

 

 

 

The Happy Marriage, pastel on paper, 34" x 26" , 2010

 

 

MENAGERIE, Ellen Cornett's series of pastel paintings, explores

contemporary social dilemmas through the world of fairy tales and

animals. Using her impressive drawing facility, the artist

juxtaposes vivid pastel paintings with unsettling content. One of

ten works on exhibit, The Happy Marriage, features two

chickens in a reversal of the usual barnyard pecking order. With

her claws extended, a hen stands on a rooster's back while he

appears bewildered. Cornett is deliberately vague about the meaning

of this work: Is the rooster a hen-pecked husband or is the hen-wife

hanging on for dear life? Either way, it's a wry commentary on

the modern marriage as a complicated balancing act.

www.EllenCornett.com

 

Brief video of Ellen Cornett at GRACE

 

 

 

MATT RAVENSTAHL GUILT

 

 

Slave Block (stills), digital video, 5 minutes, 2010

 

 

 

Matt Raventstahl's GUILT uses video and sculpture to expose

the internal experience of racism and blaming others. Slave

Block documents the artist wielding a sledgehammer as he attempts

to smash a marble replica of a slave auction block. The video

addresses both the punishing burden of slave labor and the artist's

attempt to free himself from white guilt. In a related installation,

Untitled, the remnants of the marble block have been gathered

into a pile.

Ravenstahl used the same stones in his second video, Throwing

Stones, which explores how guilt often leads to victimization.

The video documents the artist casting stones directly at the viewer.

As the video progresses, a Plexiglas wall separating the artist from

the viewer gradually scars, taking the focus of the camera from

the perpetrator to the wounds.

 

Brief video of Matt Ravenstahl at GRACE

 

 

 

An interesting article about Matt in the Reston Patch

 

 

 

 

 

 

 

Education Programs

 

 

Adult Programs (Appetite for Art & the hub theatre)

T.G.I.F and InterAct Story Theatre (Families)

Super Studio (Children 6-10)

 

Weekend Workshops (Children must be accompanied by an adult.)

 

Press:

 

 

Press Release

 

 

 

 

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