p.chromy
Setup for side Shot of Taxi's car (1)
Strobist:
On the left... SB 24 clamped to boom arm stand. Firing partially into the umbrella to get a bit more light on the front, and partially into the ceiling.
SB 28 on boom arm, shooting out into the ceiling to create a large continuous swath of light. Rotated horizontally, and zoomed out all the way.
On the right... another SB 24 on a stand... partially hitting the ceiling, partially hitting the umbrella to help light up the back of the car. Used distance (umbrella to car) angle (how much hits the umbrella) and zoom to control how much of that light hit the ceiling to light up the top of the car, vs how much light was reflected to the back of the car.
Behind the car was an SB 28, with a blue filter on it, hitting the wall.
Triggered by Cyber Syncs
Setup for side Shot of Taxi's car (1)
Strobist:
On the left... SB 24 clamped to boom arm stand. Firing partially into the umbrella to get a bit more light on the front, and partially into the ceiling.
SB 28 on boom arm, shooting out into the ceiling to create a large continuous swath of light. Rotated horizontally, and zoomed out all the way.
On the right... another SB 24 on a stand... partially hitting the ceiling, partially hitting the umbrella to help light up the back of the car. Used distance (umbrella to car) angle (how much hits the umbrella) and zoom to control how much of that light hit the ceiling to light up the top of the car, vs how much light was reflected to the back of the car.
Behind the car was an SB 28, with a blue filter on it, hitting the wall.
Triggered by Cyber Syncs