Manchester - St Mary's Catholic Church, Mulberry Street - The Hidden Gem
St Mary (RC), Mulberry Street, Manchester, 1848.
By Weightman & Hadfield.
Grade ll listed.
John Grey Weightman (1801-1872).
Matthew Ellison Hadfield (1812-1885).
The Hidden Gem, officially St Mary's Catholic Church, on Mulberry Street, Manchester, England, was originally opened in 1794, with devotion to St Mary, Our Lady of the Assumption, then rebuilt in 1848.
Detail: Windows on the west side in the gallery.
Dedication of the Hidden Gem
The rector of St Chad's, Father Rowland Broomhead, purchased a plot of land near Deansgate in 1794. He quickly set about the task of building a new church. On 30 November 1794, the church was dedicated to St Mary. It was chosen as a symbol of the original parish church in Manchester.
Collapse of the roof
In 1833, the rector of the Hidden Gem, Father Henry Gillow, decided that the building was looking tired. He enlisted the help of some of the congregation to have the church re-roofed and re-decorated. It was to be tremendous folly not to have had the work overseen by a master builder.
At lunchtime on 8 August 1835, a strange breaking sound could be heard. On looking up people were alarmed to see a crack forming in the dome above the altar. The church was locked up and at 11 pm the whole dome and part of the roof collapsed, damaging much of the interior of the church. Services were moved to Lloyd Street, and the search started for a new site for the church.
Hidden Gem rebuilt
Father Gillow died in the Manchester typhus epidemic of 1837. Any plans for a new site were put on hold, and the decision was taken to rebuild St Mary's on the existing site. Two architects were consulted, Richard Lane, the architect of Salford Town Hall and the Friends Meeting House, and Augustus Pugin. Richard Lane's design was chosen at a cost of £265 17s 0d. (Pugin had been paid £138 3s 6d). The architect chosen to oversee the work was Matthew Ellison Hadfield, who later went on to build Salford Cathedral and the new St Chad's Church in Cheetham Hill. St Mary's Church was entirely demolished and the new St Mary's was formally opened in October 1848. The church's design is a blend of Norman, Gothic and Byzantine detail; Pugin himself said that the building 'shows to what depth of error even good men fall, when they go whoring after strange styles.'
Exterior and interior
Externally, the Hidden Gem is built of plain red brick, with an ornate bell tower, stone-dressed church windows, and an entrance marked out with a fine stone doorway, which is finely carved and depicts two Angelic Hosts bearing a medallion of Agnus Dei. A hand above forms the sign of the Ascension of Christ. The inscription is "Ascendamus in montem Domini. Et adoremus in loco Sancto eius" a construction of two bible verses: "Come, let us go up to the mountain of the Lord",(Isaiah 2:3) and "Praise Him in His Holy places". (Psalms 150:1)
Internally, the visitor will find majestic Victorian carving. The High Altar is made of marble, finely carved and life size images of Our Lady, St Stephen, St Patrick, St Peter, St John, St Hilda, St Augustine and St Joseph. Central to this above the tabernacle is Christ bearing the Sacred Heart. The Stations of the Cross were painted in 1994 by artist Norman Adams and are in a striking expressionist style.
Manchester - St Mary's Catholic Church, Mulberry Street - The Hidden Gem
St Mary (RC), Mulberry Street, Manchester, 1848.
By Weightman & Hadfield.
Grade ll listed.
John Grey Weightman (1801-1872).
Matthew Ellison Hadfield (1812-1885).
The Hidden Gem, officially St Mary's Catholic Church, on Mulberry Street, Manchester, England, was originally opened in 1794, with devotion to St Mary, Our Lady of the Assumption, then rebuilt in 1848.
Detail: Windows on the west side in the gallery.
Dedication of the Hidden Gem
The rector of St Chad's, Father Rowland Broomhead, purchased a plot of land near Deansgate in 1794. He quickly set about the task of building a new church. On 30 November 1794, the church was dedicated to St Mary. It was chosen as a symbol of the original parish church in Manchester.
Collapse of the roof
In 1833, the rector of the Hidden Gem, Father Henry Gillow, decided that the building was looking tired. He enlisted the help of some of the congregation to have the church re-roofed and re-decorated. It was to be tremendous folly not to have had the work overseen by a master builder.
At lunchtime on 8 August 1835, a strange breaking sound could be heard. On looking up people were alarmed to see a crack forming in the dome above the altar. The church was locked up and at 11 pm the whole dome and part of the roof collapsed, damaging much of the interior of the church. Services were moved to Lloyd Street, and the search started for a new site for the church.
Hidden Gem rebuilt
Father Gillow died in the Manchester typhus epidemic of 1837. Any plans for a new site were put on hold, and the decision was taken to rebuild St Mary's on the existing site. Two architects were consulted, Richard Lane, the architect of Salford Town Hall and the Friends Meeting House, and Augustus Pugin. Richard Lane's design was chosen at a cost of £265 17s 0d. (Pugin had been paid £138 3s 6d). The architect chosen to oversee the work was Matthew Ellison Hadfield, who later went on to build Salford Cathedral and the new St Chad's Church in Cheetham Hill. St Mary's Church was entirely demolished and the new St Mary's was formally opened in October 1848. The church's design is a blend of Norman, Gothic and Byzantine detail; Pugin himself said that the building 'shows to what depth of error even good men fall, when they go whoring after strange styles.'
Exterior and interior
Externally, the Hidden Gem is built of plain red brick, with an ornate bell tower, stone-dressed church windows, and an entrance marked out with a fine stone doorway, which is finely carved and depicts two Angelic Hosts bearing a medallion of Agnus Dei. A hand above forms the sign of the Ascension of Christ. The inscription is "Ascendamus in montem Domini. Et adoremus in loco Sancto eius" a construction of two bible verses: "Come, let us go up to the mountain of the Lord",(Isaiah 2:3) and "Praise Him in His Holy places". (Psalms 150:1)
Internally, the visitor will find majestic Victorian carving. The High Altar is made of marble, finely carved and life size images of Our Lady, St Stephen, St Patrick, St Peter, St John, St Hilda, St Augustine and St Joseph. Central to this above the tabernacle is Christ bearing the Sacred Heart. The Stations of the Cross were painted in 1994 by artist Norman Adams and are in a striking expressionist style.