The Capilla Real in Granada, Spain.
The Royal Chapel of Granada (Spanish: Capilla Real de Granada) is an Isabelline style building in Granada, Spain. Constructed between 1505 and 1517, it was originally integrated in the complex of the neighbouring Granada Cathedral. It is the burial place of the Spanish monarchs, Queen Isabella I and King Ferdinand, the Catholic Monarchs. Apart from these historical links, this building also contains a gallery of artworks and other items associated with Queen Isabella.
The interior of the chapel follows the same model as the Monastery of San Juan de los Reyes in Toledo. It has four side chapels, creating the form of a Latin cross and a nave with a Gothic ribbed vault. The choir has a centered arch down to its base, and a crypt.
The passage to the presbytery creates a luminous effect to symbolize the sun and the light of justice (in an Albertian, Neo-Platonic sense). There is a hierarchy of the transept dedicated to mausoleum, which is separated by a monumental decorated grille forged by Bartolomé Ordoñez.
In the center of the transept lie the tombs of Isabella and Ferdinand by Domenico Fancelli and Joanna and Philip (by Bartolomé Ordóñez). The tombs are set high and mark their priority and are almost at the height of the altar (symbolizes the closeness of the kings to God).
The Capilla Real in Granada, Spain.
The Royal Chapel of Granada (Spanish: Capilla Real de Granada) is an Isabelline style building in Granada, Spain. Constructed between 1505 and 1517, it was originally integrated in the complex of the neighbouring Granada Cathedral. It is the burial place of the Spanish monarchs, Queen Isabella I and King Ferdinand, the Catholic Monarchs. Apart from these historical links, this building also contains a gallery of artworks and other items associated with Queen Isabella.
The interior of the chapel follows the same model as the Monastery of San Juan de los Reyes in Toledo. It has four side chapels, creating the form of a Latin cross and a nave with a Gothic ribbed vault. The choir has a centered arch down to its base, and a crypt.
The passage to the presbytery creates a luminous effect to symbolize the sun and the light of justice (in an Albertian, Neo-Platonic sense). There is a hierarchy of the transept dedicated to mausoleum, which is separated by a monumental decorated grille forged by Bartolomé Ordoñez.
In the center of the transept lie the tombs of Isabella and Ferdinand by Domenico Fancelli and Joanna and Philip (by Bartolomé Ordóñez). The tombs are set high and mark their priority and are almost at the height of the altar (symbolizes the closeness of the kings to God).