ILAIYARAJA the GREAT in INDIAN MUSIC - Art by Artist Anikartick,Chennai,2014 Wishes to All

ILAIYARAJA the MAESTRO Original - by Artist Anikartick,Chennai,India

 

Ilaiyaraaja (born Gnanadesikan) is an Indian film composer who works in the Indian film Industry. His body of work has spanned across Tamil, Telugu, Malayalam, Kannada, Marathi, Hindi and English language films. Regarded as one of the finest music composers in India,[1] Ilaiyaraaja is also an instrumentalist, conductor, singer, and a songwriter. To date, he has composed over 4500 songs and provided film scores for 1000 Indian films in various languages,[2][3] particularly being acclaimed for his background scoring.[4] His songs and background score played a very crucial role in the success of many films.[5][6]

 

 

 

Ilaiyaraaja has been a prominent composer of film music in the South Indian cinema since the late 1970s.[7] His works are mainly in Tamil, but has also scored music for numerous films in Telugu, Malayalam, Kannada, and Hindi. Of late, he also composed for two Marathi films.[8] He integrated folk—in Tamil—and introduced western musical sensibilities into the South Indian musical mainstream.

 

 

 

A gold medalist in classical guitar from Trinity College of Music, London, in 1993, he organised a full symphony and thus became the first Asian to compose a full symphony performed by the Royal Philharmonic Orchestra in London's Walthamstow Town Hall, which is yet to be released. In 2003, according to an international poll conducted by BBC, people from 155 countries voted his composition Rakkamma Kaiya Thattu from the 1991 film Thalapathi as fourth in the world's top 10 most popular songs of all time.[9] He was also nominated in the Best Indian album Music Awards category[10] at US based Just Plain Folks Music Organization, which is the largest grassroots music organization in the world, and stood third for his "Music Journey: Live in Italy".[10]

 

 

 

In the 2000s, he composed a variety of non-film music, including religious and devotional songs, an oratorio, and world music, while shifting his focus to Malayalam and Kannada films. He is usually referred to by the title Isaignani (English: Musical Genius), or as The Maestro.[11] As of 2013, he has won four Indian National Film Awards; three for Best Music Direction and one for Best Background Score[12] and is a recipient of Padma Bhushan, awarded by the Government of India. Ilaiyaraaja also received the NTR National Award in 2004.[13] In 2012 he received the Sangeet Natak Academi Award for his creative and experimental works in music field.[14]Popular world cinema portal Taste of Cinema placed Ilaiyaraja at the 9th position in its list of 25 greatest film composers in the cinema history.[15] In a poll conducted by CNN-IBN celebrating 100 years of Indian cinema in 2013, Ilaiyaraaja was voted the greatest music composer of India with a maximum of 49%.[16]

 

 

 

Contents

 

 

 

1 Early life and family

 

2 Early exposure to music

 

3 Session musician and film orchestrator

 

4 Film composer

 

4.1 Impact and musical style

 

5 Musical characteristics

 

6 Non-cinematic output

 

7 Notable works

 

8 Live performances

 

9 Discography

 

10 Awards

 

11 References

 

12 Further reading

 

13 External links

 

 

 

Early life and family

 

 

 

Ilaiyaraaja was born as Gnanadesikan on 3 June 1943 in a Tamil family in Pannaipuram, Theni district, Tamil Nadu, India. When he joined the school his father changed his name as "Rajaiya" but his village people used to call him as "Raasayya".[17] Ilaiyaraaja joined Dhanraj Master as a student to learn musical instruments and the master renamed and called him as just "Raaja".[18] In his first movie Annakili, Tamil film producer Panchu Arunachalam added "Ilaiya" (Ilaiya means younger in Tamil language) as prefix in his name Raaja and he named as "Ilaiyaraaja" because in 1970's there was one more music director A. M. Rajah who was a popular one.

 

 

 

Ilaiyaraaja was married to Jeeva and the couple have three children—Karthik Raja, Yuvan Shankar Raja and Bhavatharini—all film composers and singers.[19][20] His wife Jeeva died on 31 October 2011.[21] Ilaiyaraaja has a brother Gangai Amaran, who is also a music director and lyricist in Tamil film industry.[22]

 

Early exposure to music

 

 

 

Ilaiyaraaja grew up in a rural area, exposed to a range of Tamil folk music.[23] At the age of 14, he joined a travelling musical troupe headed by his elder brother, Pavalar Varadarajan, and spent the next decade performing throughout South India. While working with the troupe, he penned his first composition, a musical adaptation of an elegy written by the Tamil poet laureate Kannadasan for Jawaharlal Nehru, India's first prime minister.[24] In 1968, Ilaiyaraaja began a music course with Professor Dhanraj in Madras (now Chennai),[18] which included an overview of Western classical music, compositional training in techniques such as counterpoint, and study in instrumental performance. Ilaiyaraaja specialized in classical guitar and had taken a course in it at the Trinity College of Music, London.[25]

 

Session musician and film orchestrator

 

 

 

In the 1970s in Chennai, Ilaiyaraaja played guitar in a band-for-hire, and worked as a session guitarist, keyboardist, and organist for film music composers and directors such as Salil Chowdhury from West Bengal.[26][27][28] After being hired as the musical assistant to Kannada film composer G. K. Venkatesh, he worked on 200 film projects, mostly in the Kannada language.[29] As G. K. Venkatesh's assistant, Ilaiyaraaja would orchestrate the melodic outlines developed by Venkatesh. During this period, Ilaiyaraaja also began writing his own scores. To hear his compositions, he would persuade Venkatesh's session musicians to play excerpts from his scores during their break times. Ilaiyaraaja would hire instruments from composer R. K. Shekhar, father of composer A. R. Rahman

 

Film composer

 

 

 

In 1975, film producer Panchu Arunachalam commissioned him to compose the songs and film score for a Tamil-language film called Annakkili ('The Parrot').[30] For the soundtrack, Ilaiyaraaja applied the techniques of modern popular film music orchestration to Tamil folk poetry and folk song melodies, which created a fusion of Western and Tamil idioms.[31][32] Ilaiyaraaja's use of Tamil music in his film scores injected new influence into the Indian film score milieu.[33] By the mid-1980s Ilaiyaraaja was gaining increasing stature as a film composer and music director in the South Indian film industry.[7] He has worked with Indian poets and lyricists such as Kannadasan, Vaali, Vairamuthu, O. N. V. Kurup, Sreekumaran Thampi, Veturi Sundararama Murthy, Aacharya Aatreya, Sirivennela Sitaramasastri, Chi. Udaya Shankar and Gulzar and is well known for his association with film makers such as Bharathiraja, K. Balachander, Mani Ratnam, Sathyan Anthikkad, Priyadarshan, Fazil, Balu Mahendra, Vamsy, K. Vishwanath, Singeetham Srinivasa Rao and R. Balki.

 

Impact and musical style

 

 

 

Ilaiyaraaja was one of the earliest Indian film composers to use Western classical music harmonies and string arrangements in Indian film music.[34] This allowed him to craft a rich tapestry of sounds for films, and his themes and background score gained notice and appreciation among Indian film audiences.[35] The range of expressive possibilities in Indian film music was broadened by Ilaiyaraaja's methodical approach to arranging, recording technique, and his drawing of ideas from a diversity of musical styles.[34]

 

 

 

According to musicologist P. Greene, Ilaiyaraaja's "deep understanding of so many different styles of music allowed him to create syncretic pieces of music combining very different musical idioms in unified, coherent musical statements".[7] Ilaiyaraaja has composed Indian film songs that amalgamated elements of genres such as Afro-tribal, bossa nova, dance music (e.g., disco), doo-wop, flamenco, acoustic guitar-propelled Western folk, funk, Indian classical, Indian folk/traditional, jazz, march, pathos, pop, psychedelia and rock and roll.

 

 

 

By virtue of this variety and his interfusion of Western, Indian folk and Carnatic elements, Ilaiyaraaja's compositions appeal to the Indian rural dweller for its rhythmic folk qualities, the Indian classical music enthusiast for the employment of Carnatic Ragas, and the urbanite for its modern, Western-music sound.[36] Ilaiyaraaja's sense of visualization for composing music is always to match up with the storyline of the running movie and possibly by doing so, he creates the best experience for the audience to feel the emotions flavored through his musical score. He mastered this art of blending music to the narration, which very few others managed to adapt themselves over a longer time.[6]

 

 

 

Although Ilaiyaraaja uses a range of complex compositional techniques, he often sketches out the basic melodic ideas for films in a very spontaneous fashion.[7][23] The Indian filmmaker Mani Ratnam illustrates:

 

 

 

Ilayaraja would look at the scene once, and immediately start giving notes to his assistants, as a bunch of musicians, hovering around him, would collect the notes for their instrument and go to their places. When the orchestra played out the notes, they would be perfect, not just in harmony but also in timing — the background score would commence exactly where it should and end at the exact place required. Ilayaraja is a genius, who could compose music with just one look at the scene.

 

 

 

Musical characteristics

 

 

 

Ilaiyaraaja's music is characterised by the use of an orchestration technique that is a synthesis of Western and Indian instruments and musical modes. He uses electronic music technology that integrates synthesizers, electric guitars and keyboards, drum machines, rhythm boxes and MIDI with large orchestras that feature traditional instruments such as the veena, venu, nadaswaram, dholak, mridangam and tabla as well as Western lead instruments such as saxophones and flutes.[7]

 

 

 

He uses catchy melodies fleshed out with a variety of chord progressions, beats and timbres. Ilaiyaraaja's songs typically have a musical form where vocal stanzas and choruses are interspersed with orchestral preludes and interludes. They often contain polyphonic melodies, where the lead vocals are interwoven with supporting melody lines sung by another voice or played by instruments./

 

 

 

The basslines in his songs tend to be melodically dynamic, rising and falling in a dramatic fashion. Polyrhythms are also apparent, particularly in songs with Indian folk or Carnatic influences. The melodic structure of his songs demand considerable vocal virtuosity, and have found expressive platform amongst some of India's respected vocalists and playback singers, such as S. P. Balasubrahmanyam, K. J. Yesudas, S. Janaki, Jayachandran, K. S. Chithra, Minmini, Jency, Swarnalatha, S. P. Sailaja, T. M. Soundararajan, P. Susheela, Sujatha, Malaysia Vasudevan, Asha Bhosle, Lata Mangeshkar, Hariharan, Udit Narayan, Sadhana Sargam and Shreya Ghoshal. Ilaiyaraaja has sung over 400 of his own compositions for films, and is recognisable by his stark, deep voice. He has penned the lyrics for some of his songs in Tamil and other languages.[37][38] Ilaiyaraaja's film scores are known both for the dramatic and evocative melodies, and for the more subtle background music that he uses to provide texture or mood for scenes in films such as Johnny (1980), Mouna Ragam (1986), Nayakan (1987), Geethanjali (1989), Guna (1991) Marupadiyum (1993).Notable works

 

 

 

Ilaiyaraaja's composition "Rakkama Kaiya Thattu", sung by SPB, Swarnalatha, Minmini in the movie Thalapathi (1991), was among the songs listed in a BBC World Top Ten music poll.[44] The soundtrack of My Dear Kuttichathan, the first stereoscopic 3D film made in India is composed by him. He composed the music for Nayagan (1987), an Indian film ranked by TIME Magazine as one of the all-time 100 best movies,[45] a number of India's official entries to the Oscars, such as Swathi Muthyam(1986),Nayagan(1987),Thevar Magan(1992), Anjali(1991), and Hey Ram (2000),[46] and for Indian art films such as Adoor Gopalakrishnan's FIPRESCI Prize-winning Nizhalkuthu ('The Shadow Kill') (2002).[47] Ilaiyaraaja has composed music for events such as the 1996 Miss World beauty pageant that was held in Bangalore, India, and for a documentary called India 24 Hours (1996).[48]

 

 

 

The Black Eyed Peas sampled the Ilaiyaraaja composition "Unakkum Ennakum" from Sri Raghavendra (1985), for the song "The Elephunk Theme" on Elephunk (2003).[49] The alternative artist M.I.A. sampled "Kaatukuyilu" from the film Thalapathi (1991) for her song "Bamboo Banga" on the album Kala (2007). As well, Gonjasufi sampled "Yeh Hawa Yeh Fiza" from the movie Sadma. His music compositions for the Hindi movie "Cheeni Kum" and Paa (3 December 2009) has won critical acclaim in several media reviews.

 

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