Phil Taylor
The Final Four - Focus Composite
I tried to replicate the front lens swing of a monorail camera here. The image is made of telve or so frames exactly the same, but with focus shifted gradually along the trumpet. These were then brought together to give depth of field throughout the image. This is hard because each time you focus, the frame size changes slightly, requiring a scaling of every image to the exact pixel before merging can start.
The Final Four - Focus Composite
I tried to replicate the front lens swing of a monorail camera here. The image is made of telve or so frames exactly the same, but with focus shifted gradually along the trumpet. These were then brought together to give depth of field throughout the image. This is hard because each time you focus, the frame size changes slightly, requiring a scaling of every image to the exact pixel before merging can start.