Red Riding Hood - A Father Tuck's Fairyland Panorama Postcard Illustrated by Ada Leonora Bowley (circa 1921)
This pretty postcard of the lead characters in the story of Little Red Riding Hood was created by accomplished British illustrator Ada Leonora Bowley. Published by Raphael Tuck and Sons around 1921, it is one of six from the Father Tuck's Fairy Tale Panorama Oilette Series 3386.
Whilst this card has not been used it serves two purposes; the back for writing a message, but the front images have been embossed and can be carefully pressed out so that they stand up to amuse adults and children alike, which is why they are a panorama series. These cards are extremely rare and very fragile as a result of this ingenious idea of the publishers.
Ada Leonora Bowley (1886 - 1943) was one of two sisters in her family who became successful paintresses for publishers Raphael Tuck and Sons. Her older sister Sophia May Bowley (1864 - 1960) was equally prolific in her work. The two sisters were inseparable all their lives, lived together in various different homes and were devoted to one another. Their father, Edwin, who was secretary of the British Empire Insurance Company, indulged his daughters' talent. By 1877, Sophia May had written and illustrated several fairy tales of her own creation, and he had them privately published. Edwin then enrolled both his precociously talented daughters in the Blackheath School of Art. Sophia May went on the study at the Herkoner Art School between 1888 and 1891, and exhibited paintings at the Royal Academy Summer Exhibitions of 1890 and 1892. Yet when their father lost their job, the two sisters had to put their skills to work to support their family. Sophia May, with her work more readily known, secured a job first writing and illustrating numerous Victorian magazines. Eventually she found employment with the Valentine and Sons publishing company and then at Raphael Tuck and Sons, for whom she produced beautiful postcards and illustrated books. As in the rest of her life, wherever Sophia May went, Ada Leonora was sure to follow, and so she did when her sister was employed by Raphael Tuck and Sons. Raphael Tuck developed a very close relationship with both sisters and favoured them with work that made them very popular, such as illustrating Christmas postcards and annuals as well as books of fairy tales. The two sisters lead active social lives, although neither married. Amongst their friends was the well known children's writer Edith Nesbit. Whilst after the Great War (1914 - 1918) they did not work exclusively for Raphael Tuck and Sons any more, their work was so well known and loved, that their illustrative work ensured that they and their family were comfortable for the remainder of their days. The Bowley sister's work was sold in their millions throughout their careers.
Red Riding Hood - A Father Tuck's Fairyland Panorama Postcard Illustrated by Ada Leonora Bowley (circa 1921)
This pretty postcard of the lead characters in the story of Little Red Riding Hood was created by accomplished British illustrator Ada Leonora Bowley. Published by Raphael Tuck and Sons around 1921, it is one of six from the Father Tuck's Fairy Tale Panorama Oilette Series 3386.
Whilst this card has not been used it serves two purposes; the back for writing a message, but the front images have been embossed and can be carefully pressed out so that they stand up to amuse adults and children alike, which is why they are a panorama series. These cards are extremely rare and very fragile as a result of this ingenious idea of the publishers.
Ada Leonora Bowley (1886 - 1943) was one of two sisters in her family who became successful paintresses for publishers Raphael Tuck and Sons. Her older sister Sophia May Bowley (1864 - 1960) was equally prolific in her work. The two sisters were inseparable all their lives, lived together in various different homes and were devoted to one another. Their father, Edwin, who was secretary of the British Empire Insurance Company, indulged his daughters' talent. By 1877, Sophia May had written and illustrated several fairy tales of her own creation, and he had them privately published. Edwin then enrolled both his precociously talented daughters in the Blackheath School of Art. Sophia May went on the study at the Herkoner Art School between 1888 and 1891, and exhibited paintings at the Royal Academy Summer Exhibitions of 1890 and 1892. Yet when their father lost their job, the two sisters had to put their skills to work to support their family. Sophia May, with her work more readily known, secured a job first writing and illustrating numerous Victorian magazines. Eventually she found employment with the Valentine and Sons publishing company and then at Raphael Tuck and Sons, for whom she produced beautiful postcards and illustrated books. As in the rest of her life, wherever Sophia May went, Ada Leonora was sure to follow, and so she did when her sister was employed by Raphael Tuck and Sons. Raphael Tuck developed a very close relationship with both sisters and favoured them with work that made them very popular, such as illustrating Christmas postcards and annuals as well as books of fairy tales. The two sisters lead active social lives, although neither married. Amongst their friends was the well known children's writer Edith Nesbit. Whilst after the Great War (1914 - 1918) they did not work exclusively for Raphael Tuck and Sons any more, their work was so well known and loved, that their illustrative work ensured that they and their family were comfortable for the remainder of their days. The Bowley sister's work was sold in their millions throughout their careers.