Two pages from Gerherd’s Liebes ABC composed in Tiemann’s Modern Roman with designs by Hans Bohm : Private Press of Gene. Klingspor : 1924
Seen forming part of an article in “The Fleuron Number V” edited by Stanley Morison and published by the Cambridge University Press in 1924. The article is about the work of Karl Klingspor by Julius Rodenberg, Leipzig, and was translated by Anna Simons. This two page example is from the 1924 printing of Gerhard (Gottlob Eusebius Fischer) “Liebes ABC” from 1820, the edition designed by Hans Bohn and printed using Tiemann Antiqua.
Karl Klingspor (1868 - 1950) was one of the two brothers who took over their father’s typefoundry in Offenbach am Main and that was renamed Schriftgiesserei Gbr. Klingspor in 1906. He was a noted type designer and typographer who, commissioning other important designers, helped the concern become one of the most noteworthy amongst German typefounders.
Two pages from Gerherd’s Liebes ABC composed in Tiemann’s Modern Roman with designs by Hans Bohm : Private Press of Gene. Klingspor : 1924
Seen forming part of an article in “The Fleuron Number V” edited by Stanley Morison and published by the Cambridge University Press in 1924. The article is about the work of Karl Klingspor by Julius Rodenberg, Leipzig, and was translated by Anna Simons. This two page example is from the 1924 printing of Gerhard (Gottlob Eusebius Fischer) “Liebes ABC” from 1820, the edition designed by Hans Bohn and printed using Tiemann Antiqua.
Karl Klingspor (1868 - 1950) was one of the two brothers who took over their father’s typefoundry in Offenbach am Main and that was renamed Schriftgiesserei Gbr. Klingspor in 1906. He was a noted type designer and typographer who, commissioning other important designers, helped the concern become one of the most noteworthy amongst German typefounders.