Penn, Irving (1917-2009) - 1959 Broken Egg
Irving Penn (June 16, 1917 – October 7, 2009[1]) was an American photographer most known for his fashion photography, portraits, and still lifes. Penn's career included work at Vogue magazine, and independent advertising work for clients including Issey Miyake, and Clinique. His work has been exhibited internationally, and continues to inform the art of photography even after his death.
Irving Penn was born on June 16, 1917 in Plainfield, New Jersey, to Harry Penn and Sonia Greenberg. In 1922, Irving Penn's younger brother, Arthur Penn, was born, who would go on to become a film director and producer.
Irving Penn attended the Philadelphia Museum School of Industrial Art (now the University of the Arts) from 1934 to 1938, where he studied drawing, painting, graphics, and industrial arts under Alexey Brodovitch. While still a student, Penn worked under Brodovitch at Harper's Bazaar, where several of Penn's drawings were published.
Irving Penn worked for two years as a freelance designer and making his first amateur photographs before taking Brodovitch's position as the art director at Saks Fifth Avenue in 1940. Penn remained at Saks Fifth Avenue for a year before leaving to spend a year painting and taking photographs in Mexico and across the US.
When Irving Penn returned to New York, Alexander Liberman offered him a position as an associate in the Vogue magazine Art Department, where Penn worked on layout before Liberman asked him to try his hand at photography for the magazine.[2]
Irving Penn photographed his first cover for Vogue magazine in 1943 and continued to work at the magazine throughout his career, shooting covers, portraits, still lifes, fashion, and photographic essays.
In the 1950s, Penn founded his own studio in New York and began making advertising photographs. Over the years, Penn's list of clients grew to include General Foods, De Beers, Issey Miyake, and Clinique.[3]
Irving Penn met fashion model Lisa Fonssagrives at a photo shoot in 1947.[4][5] In 1950, the two married at Chelsea Register Office, and two years later Lisa gave birth to their son, Tom Penn, who would go on to become a metal designer.[5] Lisa Fonssagrives died in 1992. Irving Penn died aged 92 on October 7, 2009 at his home in Manhattan.[6][7]
While perhaps best known for his fashion photography, Irving Penn's repertoire also includes portraits of creative greats; ethnographic photographs from around the world; Modernist still lifes of food, bones, bottles, metal, found objects, etc.; and stunning scenes from photographic travel essays. That said, his fashion photography is paramount to his career, and his creative eye helped to shape the post-World War II feminine chic and glamour photography of the mid-twentieth century.
Penn was among the first photographers to pose subjects against a simple grey or white backdrop and used this simplicity more effectively than other photographers. Expanding his austere studio surroundings, Penn constructed a set of upright angled backdrops, to form a stark, acute corner. Subjects photographed with this technique included Martha Graham, Marcel Duchamp, Pablo Picasso, Georgia O'Keeffe, W. H. Auden, Igor Stravinsky.
Penn's still life compositions are skillfully arranged assemblages of food or objects—at once spare and highly-organized, the objects articulate the abstract interplay of line and volume. All of Penn's photographs are composed with a great attention to detail, which continues into his craft of developing and making prints of his photographs. Penn experimented with many printing techniques, including prints made on aluminum sheets coated with a platinum emulsion rendering the image with a warmth and maturity that untoned silver prints lacked.[8] His black and white prints are notable for their deep contrast, giving them a clean, crisp feel.
While steeped in the Modernist tradition, Penn also ventured beyond creative boundaries. The exhibition of Earthly Bodies consisted of series of posed nudes whose physical shapes range from thin to plump; while the photographs were taken in 1949-1950, they were not put on exhibit until 1980, perhaps in part because of questions about the public reception of the graphic representations of the female nude.
Penn, Irving (1917-2009) - 1959 Broken Egg
Irving Penn (June 16, 1917 – October 7, 2009[1]) was an American photographer most known for his fashion photography, portraits, and still lifes. Penn's career included work at Vogue magazine, and independent advertising work for clients including Issey Miyake, and Clinique. His work has been exhibited internationally, and continues to inform the art of photography even after his death.
Irving Penn was born on June 16, 1917 in Plainfield, New Jersey, to Harry Penn and Sonia Greenberg. In 1922, Irving Penn's younger brother, Arthur Penn, was born, who would go on to become a film director and producer.
Irving Penn attended the Philadelphia Museum School of Industrial Art (now the University of the Arts) from 1934 to 1938, where he studied drawing, painting, graphics, and industrial arts under Alexey Brodovitch. While still a student, Penn worked under Brodovitch at Harper's Bazaar, where several of Penn's drawings were published.
Irving Penn worked for two years as a freelance designer and making his first amateur photographs before taking Brodovitch's position as the art director at Saks Fifth Avenue in 1940. Penn remained at Saks Fifth Avenue for a year before leaving to spend a year painting and taking photographs in Mexico and across the US.
When Irving Penn returned to New York, Alexander Liberman offered him a position as an associate in the Vogue magazine Art Department, where Penn worked on layout before Liberman asked him to try his hand at photography for the magazine.[2]
Irving Penn photographed his first cover for Vogue magazine in 1943 and continued to work at the magazine throughout his career, shooting covers, portraits, still lifes, fashion, and photographic essays.
In the 1950s, Penn founded his own studio in New York and began making advertising photographs. Over the years, Penn's list of clients grew to include General Foods, De Beers, Issey Miyake, and Clinique.[3]
Irving Penn met fashion model Lisa Fonssagrives at a photo shoot in 1947.[4][5] In 1950, the two married at Chelsea Register Office, and two years later Lisa gave birth to their son, Tom Penn, who would go on to become a metal designer.[5] Lisa Fonssagrives died in 1992. Irving Penn died aged 92 on October 7, 2009 at his home in Manhattan.[6][7]
While perhaps best known for his fashion photography, Irving Penn's repertoire also includes portraits of creative greats; ethnographic photographs from around the world; Modernist still lifes of food, bones, bottles, metal, found objects, etc.; and stunning scenes from photographic travel essays. That said, his fashion photography is paramount to his career, and his creative eye helped to shape the post-World War II feminine chic and glamour photography of the mid-twentieth century.
Penn was among the first photographers to pose subjects against a simple grey or white backdrop and used this simplicity more effectively than other photographers. Expanding his austere studio surroundings, Penn constructed a set of upright angled backdrops, to form a stark, acute corner. Subjects photographed with this technique included Martha Graham, Marcel Duchamp, Pablo Picasso, Georgia O'Keeffe, W. H. Auden, Igor Stravinsky.
Penn's still life compositions are skillfully arranged assemblages of food or objects—at once spare and highly-organized, the objects articulate the abstract interplay of line and volume. All of Penn's photographs are composed with a great attention to detail, which continues into his craft of developing and making prints of his photographs. Penn experimented with many printing techniques, including prints made on aluminum sheets coated with a platinum emulsion rendering the image with a warmth and maturity that untoned silver prints lacked.[8] His black and white prints are notable for their deep contrast, giving them a clean, crisp feel.
While steeped in the Modernist tradition, Penn also ventured beyond creative boundaries. The exhibition of Earthly Bodies consisted of series of posed nudes whose physical shapes range from thin to plump; while the photographs were taken in 1949-1950, they were not put on exhibit until 1980, perhaps in part because of questions about the public reception of the graphic representations of the female nude.