Beckmann, Max (1884-1950) - 1943 Carnival Tryptich
From its beginnings at the turn of the century up to its completion after World War II, Beckmann's work reflects an era of radical changes in both art and history. Many of Max Beckmann‘s paintings express the agonies of Europe in the first half of the Twentieth Century. Some of his imagery refers to the decadent glamor of the Weimar Republic's cabaret culture, but from the Thirties on, his works often contain mythologized references to the brutalities of the Nazis. Beyond these immediate concerns, his subjects and symbols assume a larger meaning, voicing universal themes of terror, redemption, and the mysteries of eternity and fate.
Unlike several of his avant-garde contemporaries, Beckmann rejected non-representational painting; instead, he took up and advanced the tradition of figurative painting. Encompassing portraiture, landscape, still life, mythology and the fantastic, his work created a very personal but authentic version of modernism, combining this with traditional plasticity. Beckmann reinvented the triptych and expanded this archetype of medieval painting into a looking glass of contemporary humanity.
Beckmann, Max (1884-1950) - 1943 Carnival Tryptich
From its beginnings at the turn of the century up to its completion after World War II, Beckmann's work reflects an era of radical changes in both art and history. Many of Max Beckmann‘s paintings express the agonies of Europe in the first half of the Twentieth Century. Some of his imagery refers to the decadent glamor of the Weimar Republic's cabaret culture, but from the Thirties on, his works often contain mythologized references to the brutalities of the Nazis. Beyond these immediate concerns, his subjects and symbols assume a larger meaning, voicing universal themes of terror, redemption, and the mysteries of eternity and fate.
Unlike several of his avant-garde contemporaries, Beckmann rejected non-representational painting; instead, he took up and advanced the tradition of figurative painting. Encompassing portraiture, landscape, still life, mythology and the fantastic, his work created a very personal but authentic version of modernism, combining this with traditional plasticity. Beckmann reinvented the triptych and expanded this archetype of medieval painting into a looking glass of contemporary humanity.