mark tipple
stand-in.
stand-in.
lighting pulled from...
marktipple.blogspot.com/2008/12/eskimo-lmd.html
Anyway tried to line a few cats up for the dude model, all fell through, the girl in the story was down to help, with the rain falling and the last scruff cat unable to make it i stood in myself, turned out to be pretty easy actually. As always the crew i'm working with help me out more than i could ask for, while i'm setting the lights Sare's on make-up and costume, prepping and just hanging, on this occasion filled in as camera operator too. Froth to have that team around.
Went for a structured glow look that i knew i could make in post, could have just shot available and fixed later, agro way to work i know and pretty much never would unless circumstances forced it...tried a few different things.
Shoot through camera left on full, rim on 1/4 bare behind the wall next to my head, and a small softbox on 1/4 behind my back pointed at Marta for fill. Worked surprisingly well in camera, cut down on the post work i had to do, left me just enhancing rather than creating.
When security warned and threatened with some dumb fine we moved to a black wall...ya exciting i know but with a spectral behind it popped and left me stoked on a 3 minute setup for some closer feels.
Maybe not even 3 minutes hey, like just the shoot through eye level camera left and voice position for the subject to get in the highlight.
Still haven't heard back from the clients, apparently they're in the mountains getting some soul inspiration to finish they're script. Hope they're happy....and that i got the story right....
sb-28 44" shoot through on full camera right. sb-26 in softbox on 1/4 behind my back for fill on marta. sb-26 on 1/4 behind for rim.
stand-in.
stand-in.
lighting pulled from...
marktipple.blogspot.com/2008/12/eskimo-lmd.html
Anyway tried to line a few cats up for the dude model, all fell through, the girl in the story was down to help, with the rain falling and the last scruff cat unable to make it i stood in myself, turned out to be pretty easy actually. As always the crew i'm working with help me out more than i could ask for, while i'm setting the lights Sare's on make-up and costume, prepping and just hanging, on this occasion filled in as camera operator too. Froth to have that team around.
Went for a structured glow look that i knew i could make in post, could have just shot available and fixed later, agro way to work i know and pretty much never would unless circumstances forced it...tried a few different things.
Shoot through camera left on full, rim on 1/4 bare behind the wall next to my head, and a small softbox on 1/4 behind my back pointed at Marta for fill. Worked surprisingly well in camera, cut down on the post work i had to do, left me just enhancing rather than creating.
When security warned and threatened with some dumb fine we moved to a black wall...ya exciting i know but with a spectral behind it popped and left me stoked on a 3 minute setup for some closer feels.
Maybe not even 3 minutes hey, like just the shoot through eye level camera left and voice position for the subject to get in the highlight.
Still haven't heard back from the clients, apparently they're in the mountains getting some soul inspiration to finish they're script. Hope they're happy....and that i got the story right....
sb-28 44" shoot through on full camera right. sb-26 in softbox on 1/4 behind my back for fill on marta. sb-26 on 1/4 behind for rim.