mark tipple
script.
script.
lighting pulled from..
marktipple.blogspot.com/2008/10/hanging-in-balance-sydney...
...understanding directors, with so much to think about when your subject can put 2 and 2 together it helps that much hey.
Anyway with too many leaves and not enough time to rake them I think we pulled it off, ended up putting two strobes in the one umbrella for the key, meaning my soft light chimera froth didn’t really eventuate, but I’m still stoked on the look. By having two strobes in the one holder I could throw soft light so far from the source, with a sb-28 and sb-26 on full into a 44” shoot through I could move it back, way back and still have it hit her.
Sydney Life lyfe.
sb-26 and sb-28 1/1 in 44" shoot through umbrella camera right - with black cover on back to control loss from bounce.
script.
script.
lighting pulled from..
marktipple.blogspot.com/2008/10/hanging-in-balance-sydney...
...understanding directors, with so much to think about when your subject can put 2 and 2 together it helps that much hey.
Anyway with too many leaves and not enough time to rake them I think we pulled it off, ended up putting two strobes in the one umbrella for the key, meaning my soft light chimera froth didn’t really eventuate, but I’m still stoked on the look. By having two strobes in the one holder I could throw soft light so far from the source, with a sb-28 and sb-26 on full into a 44” shoot through I could move it back, way back and still have it hit her.
Sydney Life lyfe.
sb-26 and sb-28 1/1 in 44" shoot through umbrella camera right - with black cover on back to control loss from bounce.